BREAKING NEWS: CRITICS DISMISS CARPENTER’S ‘THE THING’ AS “INSTANT JUNK”BREAKING NEWS: ‘THE THING’ AND ‘BLADE RUNNER’ BOTH BOMB ON SAME WEEKENDBREAKING NEWS: KUBRICK NOMINATED FOR WORST DIRECTOR FOR ‘THE SHINING’BREAKING NEWS: ‘FRIDAY THE 13TH’ UP FOR WORST PICTURE AT FIRST-EVER RAZZIESBREAKING NEWS: ‘HOCUS POCUS’ FLOPS IN JULY; EBERT GIVES IT ONE STARBREAKING NEWS: HARPER’S CALLS ‘TEXAS CHAIN SAW MASSACRE’ “A VILE LITTLE PIECE OF SICK CRAP”BREAKING NEWS: ‘THE BLAIR WITCH PROJECT’ NOMINATED FOR WORST PICTUREBREAKING NEWS: STEPHEN KING HATES KUBRICK’S ‘THE SHINING’BREAKING NEWS: CRITICS DISMISS CARPENTER’S ‘THE THING’ AS “INSTANT JUNK”BREAKING NEWS: ‘THE THING’ AND ‘BLADE RUNNER’ BOTH BOMB ON SAME WEEKENDBREAKING NEWS: KUBRICK NOMINATED FOR WORST DIRECTOR FOR ‘THE SHINING’BREAKING NEWS: ‘FRIDAY THE 13TH’ UP FOR WORST PICTURE AT FIRST-EVER RAZZIESBREAKING NEWS: ‘HOCUS POCUS’ FLOPS IN JULY; EBERT GIVES IT ONE STARBREAKING NEWS: HARPER’S CALLS ‘TEXAS CHAIN SAW MASSACRE’ “A VILE LITTLE PIECE OF SICK CRAP”BREAKING NEWS: ‘THE BLAIR WITCH PROJECT’ NOMINATED FOR WORST PICTUREBREAKING NEWS: STEPHEN KING HATES KUBRICK’S ‘THE SHINING’
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Tuesday, October 27, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

FESTIVAL REVIEWS

Reviews and coverage from major film festivals including Sundance, SXSW, SIFF, TIFF, and Cannes, the best and the rest of festival cinema.

SXSW ’15 REVIEW
SXSW Review: PETTING ZOO

SXSW Review: PETTING ZOO

Petting Zoo exists in the crossroads between Texas-sized conservative values and an emerging genus of first-generation aspirations as 17-year-old Layla finds herself simultaneously presented with a college scholarship and a bun in the oven. Writer, director Micah Magee‘s tale of unexpected pregnancy is one that cuts close to home, having been a pregnant teen herself....

SXSW ’15 REVIEW
SXSW Review: SWEATY BETTY

SXSW Review: SWEATY BETTY

Idiosyncratic Sweaty Betty is a documentary-cum-nonfiction of odd variety. Consisting of six scenes and six cuts and using a cast composed entirely of non-actors, it represents a new-age, inner city twist on the undiluted realism of Richard Linklater or Curtis Snow’s disconcertingly realistic Snow on Tha Bluff. Tactically less intellectual than Linklater and yet more...

SUNDANCE ’15 REVIEW
Sundance Review: RESULTS

Sundance Review: RESULTS

Andrew Bujalski earned an earnest little following out of Austin, Texas from his efforts in building up the mumblecore scene but his star has never shined brighter than it did two festival seasons ago with the debut of his offbeat docu-comedy Computer Chess. Expanding on that last project – which used a blend of professionals...

SUNDANCE ’15 REVIEW
Sundance Review: PEOPLE, PLACES, THINGS

Sundance Review: PEOPLE, PLACES, THINGS

Having retired from his role as the Hiphopopotamus, Jemaine Clement frequents our living rooms and theaters all too infrequently. His 2014 cameo in Muppets Most Wanted didn’t nearly suffice to fill our favorite Kiwi quotient and we’ve yet to take in his lauded vampire comedy What We Do in the Shadows (though we eagerly anticipated...

SUNDANCE ’15 REVIEW
Sundance Review: MISTRESS AMERICA

Sundance Review: MISTRESS AMERICA

Noah Baumbach again arrives in auspicious fashion, delivering a fast-talking farcical bumblebee of a film whose honey is sweet and sting is bruising. It’s as much a diatribe about the fickle nature of youth as it is a pure slapstick comedy, featuring a humdinger of a hipster prophet in the form of a footloose Greta...

SUNDANCE ’15 REVIEW
Sundance Review: LAST DAYS IN THE DESERT

Sundance Review: LAST DAYS IN THE DESERT

Director Rodrigo García claimed two themes interested him most in his articulation of Jesus’ untold 40 day fast in the desert. The first: the primordial idea of how a boy becomes a man, a step that Garcia contents happens “with or without his father’s help of permission.” The second theme surrounds the notion of creationism,...

SUNDANCE ’15 REVIEW
Sundance Review: MISSISSIPPI GRIND

Sundance Review: MISSISSIPPI GRIND

There are some people who just can’t help but roll the dice. No matter how far ahead or behind they are, they just need to have one more go at the “big win”. And as any longtime gambler knows, the win is incomparable elation. Though in the long run, this mentality always loses. Statically, a...

SUNDANCE ’15 REVIEW
Sundance Review: DIGGING FOR FIRE

Sundance Review: DIGGING FOR FIRE

Displaying the kind of laid back candor that sums up the mumblecore founding member, Joe Swanberg revealed that once you have kids, “life is a clusterfuck.” And so is Digging For Fire. Kinda. A lesser effort in the aftermath of two eruptively sweet victories (Drinking Buddies and Happy Christmas), Digging for Fire takes on the...

SUNDANCE ’15 REVIEW
Sundance Review: SLOW WEST

Sundance Review: SLOW WEST

Michael Fassbender is a welcome addition to any film marque – independent or otherwise. From the jaguar-like way he carries himself to the silky, chop salad baritone of his voice, his dangerous presence is inimitable and essential (even through a paper-machie helmet.) Like the great Western heroes of lore, he saunters on spurs, a meaty...

SUNDANCE ’15 REVIEW
Sundance Review: ADVANTAGEOUS

Sundance Review: ADVANTAGEOUS

Metaphysical bodysnatching from the POV of the snatcher, Advantageous is a soft sci-fi-drama centered around a cool idea but repeatedly undone by shoddy execution, unconvincing performances and dreadful FX. Commendable though Jennifer Phang‘s mother-daughter relationship study might be in the context of Sundance’s overabundance of father-son sagas, Phang is able to capitalize on the maternal...