Reviews and coverage from major film festivals including Sundance, SXSW, SIFF, TIFF, and Cannes, the best and the rest of festival cinema.
Like Funyuns, Melissa McCarthy is an acquired taste. In her least delicate projects, she vaults around the frame, sharting and cursing to the apparent delight of squealing audiences that I just don’t relate to. Even in Paul Feig‘s Spy – a film that affords her at least an attempt at a three-dimensional character – a...
Take it from the effervescently crass mouth of Amy Schumer, “The title was always Trainwreck. Trainwreck or Cum Dumpster.” Oh Amy, you are such just so…you. From talk radio appearances to gross-out Twitter posts, the Schum has crafted her image on being unapologetically, oh-so-adorably crude and in the context of Trainwreck, it’s miraculous to take...
At the bedside of crisped brother Owen Shaw (Luke Evans), older, meaner Deckard (Jason Statham) vows revenge on the crew that turned his sibling into a pin cushion. The camera pulls back to reveal a high security hospital-turned-war zone and Statham slowly saunters past gunned-down guards, ravaged rooms and fizzling tech. The world pisses itself...
Eugene Kotlyarenko sets the cinematic stove to a low-broil in semi-autobiographical A Wonderful Cloud, a lackadaisical, off-kilter romp through a broken relationship in Los Angeles. The events – like the comedy – are low-key and faintly directional, though are predominantly characterized by an overwhelming essence of a half-committed shrug. The fact that Kotlyarenko and co-star...
Director, screenwriter and star Ross Partridge unearths a ripe splintering of soul in the fragile, complex love story that is Lamb. Adapted from Bonnie Nadzam‘s sage but harrowing novel of redemption and temptation, Patridge repurposes the byzantine dynamic of Nadzam’s words to co-exist in the cinematic crossroads of nail-ruining suspense and earnest, didactic sentiments of humanity,...
Remember those fetid middle school health videos about eating disorders? The concerned best friend, the bespectacled guidance counselor, the implied offscreen self-abuse. The gorging. The vomiting. The inevitable dramatic hospital visit. Excess Flesh isn’t quite that but Patrick Kennelly‘s wannabe horror feature is still very much the cinematic version of binging and purging. It crams...
Traditionally, the horror movies begins with the tabula rasa and from there builds upwards with little narrative Lincoln Logs stacked on shower scares and mirror pop-ins. Ava’s Possessions shrewdly flips the formula on its head, poising an intriguing conceit in the exploration of what transpires after a ghastly, cathartic event. Where is the werewolf at...
Petting Zoo exists in the crossroads between Texas-sized conservative values and an emerging genus of first-generation aspirations as 17-year-old Layla finds herself simultaneously presented with a college scholarship and a bun in the oven. Writer, director Micah Magee‘s tale of unexpected pregnancy is one that cuts close to home, having been a pregnant teen herself....
Idiosyncratic Sweaty Betty is a documentary-cum-nonfiction of odd variety. Consisting of six scenes and six cuts and using a cast composed entirely of non-actors, it represents a new-age, inner city twist on the undiluted realism of Richard Linklater or Curtis Snow’s disconcertingly realistic Snow on Tha Bluff. Tactically less intellectual than Linklater and yet more...
Andrew Bujalski earned an earnest little following out of Austin, Texas from his efforts in building up the mumblecore scene but his star has never shined brighter than it did two festival seasons ago with the debut of his offbeat docu-comedy Computer Chess. Expanding on that last project – which used a blend of professionals...