BREAKING NEWS: CRITICS DISMISS CARPENTER’S ‘THE THING’ AS “INSTANT JUNK”BREAKING NEWS: ‘THE THING’ AND ‘BLADE RUNNER’ BOTH BOMB ON SAME WEEKENDBREAKING NEWS: KUBRICK NOMINATED FOR WORST DIRECTOR FOR ‘THE SHINING’BREAKING NEWS: ‘FRIDAY THE 13TH’ UP FOR WORST PICTURE AT FIRST-EVER RAZZIESBREAKING NEWS: ‘HOCUS POCUS’ FLOPS IN JULY; EBERT GIVES IT ONE STARBREAKING NEWS: HARPER’S CALLS ‘TEXAS CHAIN SAW MASSACRE’ “A VILE LITTLE PIECE OF SICK CRAP”BREAKING NEWS: ‘THE BLAIR WITCH PROJECT’ NOMINATED FOR WORST PICTUREBREAKING NEWS: STEPHEN KING HATES KUBRICK’S ‘THE SHINING’BREAKING NEWS: CRITICS DISMISS CARPENTER’S ‘THE THING’ AS “INSTANT JUNK”BREAKING NEWS: ‘THE THING’ AND ‘BLADE RUNNER’ BOTH BOMB ON SAME WEEKENDBREAKING NEWS: KUBRICK NOMINATED FOR WORST DIRECTOR FOR ‘THE SHINING’BREAKING NEWS: ‘FRIDAY THE 13TH’ UP FOR WORST PICTURE AT FIRST-EVER RAZZIESBREAKING NEWS: ‘HOCUS POCUS’ FLOPS IN JULY; EBERT GIVES IT ONE STARBREAKING NEWS: HARPER’S CALLS ‘TEXAS CHAIN SAW MASSACRE’ “A VILE LITTLE PIECE OF SICK CRAP”BREAKING NEWS: ‘THE BLAIR WITCH PROJECT’ NOMINATED FOR WORST PICTUREBREAKING NEWS: STEPHEN KING HATES KUBRICK’S ‘THE SHINING’
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Wednesday, October 28, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

FESTIVAL REVIEWS

Reviews and coverage from major film festivals including Sundance, SXSW, SIFF, TIFF, and Cannes, the best and the rest of festival cinema.

SXSW ’16 REVIEW
SXSW ’16 Review: ‘HUSH’

SXSW ’16 Review: ‘HUSH’

To start with a bit of housekeeping, Hush joined the critically acclaimed Iranian Sundance debut Under the Shadow when it was swept up by preeminent streaming service Netflix before it was ever screened in front of an audience. Adding  to their growing stockade of boutique horror films, Netflix has queued up the Mike Flanagan-directed thriller...

SXSW ’16 REVIEW
SXSW ’16 Review: ‘WAR ON EVERYONE’

SXSW ’16 Review: ‘WAR ON EVERYONE’

John Michael McDonagh stepped out from the shadows of filmmaker young brother Martin McDonagh, who’s crafted such cult modern classics as In Bruges and Seven Psychopaths, in 2011 when he debuted The Guard. That film went on to mild box office success (overseas) and general critical adoration, though I’ll admit the deadpan acidic humor never...

SXSW ’16 REVIEW
SXSW ’16 Review: ‘CLAIRE IN MOTION’

SXSW ’16 Review: ‘CLAIRE IN MOTION’

To look is not to see. And so goes Claire in Motion, a missing persons dramatic procedural that struggles to be more than meets the eye. College math professor and wife to a known hobby survivalist, Claire (Breaking Bad’s Betsy Brandt) is forced into a waking nightmare when her husband Paul (Chris Beetem) fails to...

SXSW ’16 REVIEW
SXSW ’16 Review: ‘A STRAY’

SXSW ’16 Review: ‘A STRAY’

An introspective sociopolitical drama about a discarded Somalian, A Stray stars Captain Phillip’s Barkhard Abdirahman as Adan, a refugee living on the streets of Minneapolis who happens upon a lost dog. Without a home or hearth of his own, Adan is unable to provide for himself much less another helpless lot of God’s creations. Complicating...

SXSW ’16 REVIEW
SXSW ’16 Review: ‘KEANU’

SXSW ’16 Review: ‘KEANU’

When Key & Peele premiered in 2012 on Comedy Central, it was as close to an overnight success as any sober TV producer could hope for. The sketch comedy show that covered anything from pop-culture fandom to racial relationships, all with unprecedentedly competent production value, found even more love on YouTube where many of their...

SXSW ’16 REVIEW
SXSW ’16 Review:  ‘MIDNIGHT SPECIAL’

SXSW ’16 Review: ‘MIDNIGHT SPECIAL’

Jeff Nichols is very quickly solidifying himself as a distinct and essential American voice. The 37-year old Arkansas native blends the mystic nostalgia of Steven Spielberg’s great wonders with the romanticized bayou lyricism of a Mark Twain novel. The result is often staggering,  the heavy, heady crossroads of lock stock ultra violence and meaningfully sentimental...

SXSW ’16 REVIEW
SXSW ’16 Review: ‘ANOTHER EVIL’

SXSW ’16 Review: ‘ANOTHER EVIL’

Anyone who ever found themselves wishing for a cross section between The Cable Guy and The Exorcism, rejoice in thy ancient cursed tongues. Carson D. Mell’s supernaturally awkward brom-dram is a conjoined twin of ghost tale hula-hoops and male acquaintanceship hoopla. A batty genre-defying lark to its close, Another Evil deals with the clumsy delicacies...

SXSW ’16 REVIEW
SXSW ’16 Review: ‘DEMOLITION’

SXSW ’16 Review: ‘DEMOLITION’

Led by soaring performances from Gyllenhaal and Watts and an emotionally exploratory script from Bryan Sipe, 'Demolition' is an oddball destructo-drama that measures the invoice of grief against the constructs…

SXSW ’16 REVIEW
SXSW ’16 Review: ‘DON’T BREATHE’

SXSW ’16 Review: ‘DON’T BREATHE’

Let me be clear, you probably can’t handle Don’t Breathe. Hitchcockian in concept and French New Wave in execution, the batshit bonkers new horror film from Fede Alvarez is a sanguine-stained guillotine of heinous intensity. The Uruguayan director has issued French extremity an American passport, inviting a true-to-form, heart-stopping gang bang of insane tension to...

SXSW ’16 REVIEW
SXSW ’16 Review: ‘TEENAGE COCKTAIL’

SXSW ’16 Review: ‘TEENAGE COCKTAIL’

When high school student Annie heads to a new school, she finds herself surrounded by hostile faces. And needle-in-the-haystack Jules. The two attractive outsiders immediately strike up a kinship and a secret flame broils, leading them down forbidden passageways of mutual lust and peddled cajolery.