BREAKING NEWS: CRITICS DISMISS CARPENTER’S ‘THE THING’ AS “INSTANT JUNK”BREAKING NEWS: ‘THE THING’ AND ‘BLADE RUNNER’ BOTH BOMB ON SAME WEEKENDBREAKING NEWS: KUBRICK NOMINATED FOR WORST DIRECTOR FOR ‘THE SHINING’BREAKING NEWS: ‘FRIDAY THE 13TH’ UP FOR WORST PICTURE AT FIRST-EVER RAZZIESBREAKING NEWS: ‘HOCUS POCUS’ FLOPS IN JULY; EBERT GIVES IT ONE STARBREAKING NEWS: HARPER’S CALLS ‘TEXAS CHAIN SAW MASSACRE’ “A VILE LITTLE PIECE OF SICK CRAP”BREAKING NEWS: ‘THE BLAIR WITCH PROJECT’ NOMINATED FOR WORST PICTUREBREAKING NEWS: STEPHEN KING HATES KUBRICK’S ‘THE SHINING’BREAKING NEWS: CRITICS DISMISS CARPENTER’S ‘THE THING’ AS “INSTANT JUNK”BREAKING NEWS: ‘THE THING’ AND ‘BLADE RUNNER’ BOTH BOMB ON SAME WEEKENDBREAKING NEWS: KUBRICK NOMINATED FOR WORST DIRECTOR FOR ‘THE SHINING’BREAKING NEWS: ‘FRIDAY THE 13TH’ UP FOR WORST PICTURE AT FIRST-EVER RAZZIESBREAKING NEWS: ‘HOCUS POCUS’ FLOPS IN JULY; EBERT GIVES IT ONE STARBREAKING NEWS: HARPER’S CALLS ‘TEXAS CHAIN SAW MASSACRE’ “A VILE LITTLE PIECE OF SICK CRAP”BREAKING NEWS: ‘THE BLAIR WITCH PROJECT’ NOMINATED FOR WORST PICTUREBREAKING NEWS: STEPHEN KING HATES KUBRICK’S ‘THE SHINING’
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Tuesday, October 27, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

FESTIVAL REVIEWS

Reviews and coverage from major film festivals including Sundance, SXSW, SIFF, TIFF, and Cannes, the best and the rest of festival cinema.

SIFF ’17 REVIEW
The 5 SIFF ’17 Good to Great Movies We’ve Already Seen

The 5 SIFF ’17 Good to Great Movies We’ve Already Seen

It’s nothing short of ironic that the 5 films featured in SIFF ’17 that I’ve already seen, I haven’t actually written anything about yet. So, in hopes of getting you all up to speed on as many of the SIFF features as possible, I’ll fill you in on the likes of those that I’ve already...

SIFF ’17 REVIEW
The 8 SIFF ’17 Films We’re Dying to See

The 8 SIFF ’17 Films We’re Dying to See

As is always the case, gazing upon the list of 400 entires to the Seattle International Film Festival can be daunting for even the most knowledgable of cinephiles. Cutting through that list to cull a selection of desirables is an unwieldy task that demands more research than should be dedicated to a pleasure activity but...

SXSW ’17 REVIEW
SXSW ’17 Review: ‘TRAGEDY GIRLS’

SXSW ’17 Review: ‘TRAGEDY GIRLS’

Mean Girls meets Scream in Tyler MacIntyre’s trendy satirical midnight horror-comedy Tragedy Girls. Like Heathers for the social media age, MacIntyre’s coming-of-age serial killer misadventure satirizes iPhone-obsessed culture as two popular girls go on a killing spree in order to gain followers, accrue likes and establish a brand. A fucked-up ode to friendship first and foremost,...

SXSW ’17 REVIEW
SXSW ’17 Review: ‘WIN IT ALL’

SXSW ’17 Review: ‘WIN IT ALL’

A more lovable loser there may not be than Jake Johnson’s Eddie Garrett in Win It All. The 18th (!!!) feature from mumblecore originator Joe Swanberg, Win It All is the second “official” collaboration between Swanberg and Johnson, who paired up last year to middling success with Digging for Fire after previously working in a...

SXSW ’17 REVIEW
SXSW ’17 Review: ‘SMALL TOWN CRIME’

SXSW ’17 Review: ‘SMALL TOWN CRIME’

The great John Hawkes was relegated to character actor status for far too long. That wiry, weaselly-looking fella who’s cropped in all those movies and tv shows you love who you can never put a name to? It’s probably John Hawkes. In 2010, Hawkes received some long overdo attention with an Academy Award nominee for...

SXSW ’17 REVIEW
SXSW ’17 Review: ‘THE DISASTER ARTIST’

SXSW ’17 Review: ‘THE DISASTER ARTIST’

There in perhaps no film in existence that better exemplifies “cult” status than Tommy Wiseau’s The Room. A titanic miff on every level imaginable, Wiseau’s self-produced “romantic drama” is often called the worst movie ever made. And rightfully so. Anyone who’s had the privilege of witnessing this filmic trainwreck is treated to a level of...

SXSW ’17 REVIEW
SXSW ’17 Review: ‘THE MOST HATED WOMAN IN AMERICA’

SXSW ’17 Review: ‘THE MOST HATED WOMAN IN AMERICA’

Stories based on a true story often face the detriment of audiences knowing how it’s all going to end. That will certainly be the case for many with The Most Hated Woman in America, the decade-spanning biopic/thriller focused on controversial public figure Madalyn Murray O’Hair, but it’s people like me (of the millennial variety) who...

SXSW ’17 REVIEW
SXSW ’17 Review: ‘GAME OF DEATH’

SXSW ’17 Review: ‘GAME OF DEATH’

Upon reading that Game of Death was an amalgam of a web series stitched together into a feature, I feared the worst. The formats, though not incongruous, ostensibly serve different ends – one drives towards a rollercoaster of micro-climaxes, the other tells a rounded whole narrative arc. It’s a case of a dozen acts versus...

SXSW ’17 REVIEW
SXSW ’17 Review: ‘BABY DRIVER’

SXSW ’17 Review: ‘BABY DRIVER’

It’s been a hot minute since Edgar Wright has graced us with his genius. The man responsible for such perfect fare as Shaun of the Dead and Hot Fuzz, Wright has long been a pioneer of the Trojan horse comedy, trafficking highbrow laughs in with genre trappings. Unlike many of his contemporaries, Wright is known...

SXSW ’17 REVIEW
SXSW ’17 Review: ‘THE LIGHT OF THE MOON’

SXSW ’17 Review: ‘THE LIGHT OF THE MOON’

The Light of the Moon is an ambiguous enough film title. Jessica M. Thompson’s movie ostensibly could be a werewolf coming-of-age independent film. A non-canonical sequel to Moonlight. Even a bone-headed YouTube short about community college bros flashing their buns to one another. It’s none of those things, thankfully. Instead, The Light of the Moon,...