Reviews and coverage from major film festivals including Sundance, SXSW, SIFF, TIFF, and Cannes, the best and the rest of festival cinema.
Primary Peruvian exports include non-monetary gold powder, cooper ores, concentrates, cathodes and non-crude oil. You can now add to the list supremely compelling cinema as Magallanes, the product of first-time Peruvian director Salvador del Solar, is a true festival stunner. Soaked in a gleeful amount of real world suspense and intensified by rich dramatic character...
In psychology class, you learn about the concept of diffusion of responsibility, a sociopathic event that explains that when more people are present or complicit in an unfavorable event, the less personally responsible that group will feel for its outcome. The public murder of Kitty Genovese – in which a woman was stabbed to death...
Take it from the effervescently crass mouth of Amy Schumer, “The title was always Trainwreck. Trainwreck or Cum Dumpster.” Oh Amy, you are such just so…you. From talk radio appearances to gross-out Twitter posts, the Schum has crafted her image on being unapologetically, oh-so-adorably crude and in the context of Trainwreck, it’s miraculous to take...
Director, screenwriter and star Ross Partridge unearths a ripe splintering of soul in the fragile, complex love story that is Lamb. Adapted from Bonnie Nadzam‘s sage but harrowing novel of redemption and temptation, Patridge repurposes the byzantine dynamic of Nadzam’s words to co-exist in the cinematic crossroads of nail-ruining suspense and earnest, didactic sentiments of humanity,...
Last year, Patrick Brice showed up to SXSW with Creep. Devilishly crafty and expertly focused, it fell in with the usual suspects of found footage horror, even though it was so much more than just another point and shoot, “gotcha!” scare effort. The natural tension that Brice was able to tease out of a scene...
What do 1630, a silver cup, Christian fervor and a goat named Black Phillip have in common? The Witch. Unholy goodness through and through, Robert Egger‘s feature film debut is a horror masquerading as a costume drama that’s as beady, black and misshapen as the center of a goat’s eye. Beneath the dirt-stained, leather-bound waistcoats,...
To put a pin in the beauty of The End of the Tour is a philosophical venture potentially as challenging as James Ponsoldt‘s latest accomplishment. Detailing a three-day exchange between Rolling Stones journalist David Lipsky and rock star author David Foster Wallace, Ponsoldt’s film is talky and emotionally whirling, thick with dry-mouthed moments and cemented...