BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Thursday, April 23, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

EDITORIALS

REVIEW
The Deepest Cuts: NIGHT OF THE CREEPS (1986)

The Deepest Cuts: NIGHT OF THE CREEPS (1986)

The Deepest Cuts is a weekly invitation into some of the sleaziest, goriest, most under-explored corners of horror and cult film online. Every title will be streamable and totally NSFW. Whether it’s a 1960s grindhouse masterpiece, something schlocky from the 90s, or hardcore horror from around the world, these films are guaranteed to shock, disturb,...

REVIEW
The Deepest Cuts: C.H.U.D. (1984)

The Deepest Cuts: C.H.U.D. (1984)

The Deepest Cuts is a weekly invitation into some of the sleaziest, goriest, most under-explored corners of horror and cult film online. Every title will be streamable and totally NSFW. Whether it’s a 1960s grindhouse masterpiece, something schlocky from the 90s, or hardcore horror from around the world, these films are guaranteed to shock, disturb,...

REVIEW
Director Face/Off: Wes Anderson Vs. Richard Linklater (Part Five – Their Other Stuff)

Director Face/Off: Wes Anderson Vs. Richard Linklater (Part Five – Their Other Stuff)

Wes Anderson and Richard Linklater –prominent writer/directors, Texas natives (both have roots in Houston) and coincidentally my two favorite humans. Their latest films were nominated for Best Motion Picture this year and, delving further, their careers have evolved at very similar rates, humbly paving the quaint dirt road that was the indie film scene in...

REVIEW
The Deepest Cuts: THE HONEYMOON KILLERS (1969)

The Deepest Cuts: THE HONEYMOON KILLERS (1969)

The Deepest Cuts is a weekly invitation into some of the sleaziest, goriest, most under-explored corners of horror and cult film online. Every title will be streamable and totally NSFW. Whether it’s a 1960s grindhouse masterpiece, something schlocky from the 90s, or hardcore horror from around the world, these films are guaranteed to shock, disturb,...

REVIEW
Director Face/Off: Wes Anderson Vs. Richard Linklater (Part Four – Memorable Quotes)

Director Face/Off: Wes Anderson Vs. Richard Linklater (Part Four – Memorable Quotes)

Wes Anderson and Richard Linklater –prominent writer/directors, Texas natives (both have roots in Houston) and coincidentally my two favorite humans. Their latest films were nominated for Best Motion Picture this year and, delving further, their careers have evolved at very similar rates, humbly paving the quaint dirt road that was the indie film scene in...

EDITORIAL
A Century of Skin: Nudity’s Eruption into American Cinema

A Century of Skin: Nudity’s Eruption into American Cinema

With Magic Mike XXL (our review here), America’s favorite male stripper sequel, hitting theaters on July 1st, we break down just how nudity has become so ingratiated with American cinematic norms. From the barely provocative titillation of the late 1800s (mmmm, ankles) to Channing Tatum wagging his shtick (sadly, not in 3D), we ask how...

REVIEW
Camera Obscura: DARK CITY

Camera Obscura: DARK CITY

Camera Obscura: (Latin: “dark chamber”) is an optical device that led to photography and the photographic camera. The following films penetrate the modern psyche through an all too clear lens–its iterations, ethos, phobias, catharsis, and moreover, crisis. With stunning clarity, these masters peered into a void and showed us the contemporaneous man in all of...

REVIEW
The Deepest Cuts: NIGHTBREED (1990)

The Deepest Cuts: NIGHTBREED (1990)

The Deepest Cuts is a weekly invitation into some of the sleaziest, goriest, most under-explored corners of horror and cult film online. Every title will be streamable and totally NSFW. Whether it’s a 1960s grindhouse masterpiece, something schlocky from the 90s, or hardcore horror from around the world, these films are guaranteed to shock, disturb,...

REVIEW
Director Face/Off: Wes Anderson Vs. Richard Linklater (Part Three – Music)

Director Face/Off: Wes Anderson Vs. Richard Linklater (Part Three – Music)

Wes Anderson and Richard Linklater –prominent writer/directors, Texas natives (both have roots in Houston) and coincidentally my two favorite humans. Their latest films were nominated for Best Motion Picture this year and, delving further, their careers have evolved at very similar rates, humbly paving the quaint dirt road that was the indie film scene in...

REVIEW
The Deepest Cuts: FRANKENHOOKER

The Deepest Cuts: FRANKENHOOKER

Sci-fi and horror nerds are championing the return of a certain much-beloved low-budget aesthetic heralded by the success of George Miller’s newest installment in the Mad Max franchise, Fury Road, and in the use of practical effects in evidence in trailers for the upcoming Star Wars episode. In the case of the latter film, this...