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First Round of 2014 Oscar Predictions


As 2013 races to a close, it’s time for the first round of Oscar predictions. 2013 started with a whimper with a truly slumping spring season that moved into a relatively disappointing summer slate of blockbusters (at least from a critical perspective). But the fall season hopes to make up for any inadequacies of the rest of the year with a lump sum of certifiably great films. Although some of my predicted contenders have yet to see the light of day, there are now enough pieces in play to make a fair judgement as to what may and may not make the cut come the year’s end. Come join us to discuss our first round of 2014’s Oscar predictions.

I’ve personally only seen a few of the big contenders for Best Picture (Gravity, Dallas Buyers Club, Captain Phillips), some have played their way through the festival circuit (Inside Llewyn Davis, Saving Mr. Banks, 12 Years a Slave, Inside Llewyn Davis) and the remainder have yet to be seen at all (The Wolf of Wall Street, American Hustle, The Monuments Men). But even for these unknown qualities, all you have to do is look at the talent and directors and a shoe-in is the rule rather than the exception.

Coming off a fiery debut at TIFF, 12 Years a Slave seems the clear front runner and is sure to nab nomination across the board (including Steve McQueen‘s first directing Oscar nomination as well as first time nominations for Chiwetel Ejifor and Lupita Nyong’o). Others such as Inside Llewyn Davis and Saving Mr. Banks won high praise out of Cannes and the AFI fest respectively and will similar play across many categories.

As far as those that have yet to play for any audience, David O. Russell’s sterling track record speaks for itself and, depending on how well-received American Hustle is, he may prove to be 12 Years a Slave and Steve McQueen‘s biggest challenge. While The Wolf of Wall Street is involved in a bit of a juggling act, it’s darkly comic tone may keep it from being amongst the top tier, a similar situation to George Clooney‘s The Monument’s Men. Although Clooney’s name, an all-star cast, and a historic context have proved successful in the past, the first trailer looked a little too light to make it a serious player in a very heavy year.

Gravity still sits pretty as a critical darling that will have the backing of the mainstream, who rushed out to see it this weekend to a tune of more than $50 million and for it, is likely to take home a bulk of the technical categories.

Probably one of this year’s biggest talking points will orbit the discussion of an unprecedented amount of African-American nominees. Steve McQueen may not be the first black director to be nominated (he would actually be the third after John Singleton (Boyz n the Hood) and Lee Daniels (Precious)) he is the first who actually stands a fair chance at winning. Likewise, Chiwetel Ejiofor and Lupita Nyong’o lead their respective category. Even more impressive is the fact that the Best Supporting Actress category is likely to see nominations for three black actresses (Nyong’o, Oprah Winfrey, and Octavia Spencer)

Best Picture:


1. “12 Years a Slave”

2. “American Hustle”
3. “Gravity”
4. “Saving Mr. Banks”
5. “Captain Phillips”
6. “Inside Llewyn Davis”
7. “Dallas Buyers Club”
8. “The Monuments Men”
9. “The Wolf of Wall Street”

Fringe:
10. “August: Osage County”
11. “All is Lost”
12. “Nebraska”
13. “Rush”
14. “Before Midnight”

Best Director:

1. Steve McQueen “12 Years a Slave”

2. Alfonso Cuaron “Gravity”
3. David O. Russell “American Hustle”
4. John Lee Hancock “Saving Mr. Banks”
5. The Coen Bros “Inside Llewyn Davis”

Fringe:
6. Paul Greengrass  “Captain Phillips”
7. George Clooney “The Monuments Men”
8. Martin Scorsese “The Wolf of Wall Street”
9. JC Chandor “All is Lost”
10. Alexander Payne “Nebraska”

Best Actor:

 
1. Matthew McConaughey “Dallas Buyers Club”
 
2. Chiwetel Ejifor “12 Years a Slave”
3. Tom Hanks  “Captain Phillips”
4. Robert Redford “All is Lost”
5. Forest Whitaker “Lee Daniel’s The Butler”
 
Fringe:
6. Leonardo DiCaprio “The Wolf of Wall Street”
7. Christain Bale “American Hustle”
8. Bruce Dern “Nebraska”
9. Joaquin Phoenix “Her”
10 .Oscar Isaac “Inside Llewyn Davis”

Best Actress:


1. Cate Blanchett “Blue Jasmine”
2. Judi Dench “Philomena”
3. Meryl Streep “August: Osage County”
4. Sandra Bullock “Gravity”
5. Emma Thompson “Saving Mr. Banks”
 
Fringe:6.Amy Adams “American Hustle”
7. Julie Delpy “Before Midnight”
8. Brie Larson “Short Term 12”
9. Adèle Exarchopoulos “Blue is the Warmest Color”
10. Berenice Bejo “The Past”

Best Supporting Actor:

 
1. Jared Leto “Dallas Buyers Club”

2. Daniel Bruhl “Rush”
3. Michael Fassbender “12 Years a Slave”
4. Tom Hanks “Saving Mr. Banks”
5. John Goodman “Inside Llewyn Davis”
Fringe:
6. Bradley Cooper “American Hustle”
7. Jake Gllyenhaal “Prisoners”
8. Barkhad Abdi “Captain Phillips”
9. Sam Rockwell “The Way, Way Back”
10. Andrew Dice Clay “Blue Jasmine”

Best Supporting Actress:

 
1. Lupita Nyong’o “12 Years a Slave”
2. Oprah Winfrey “Lee Daniel’s The Butler”
3. Julia Roberts “August: Osage County”
4. Octavia Spencer “Fruitvale Station”
5. Cameron Diaz “The Counselor”

Fringe:
6. Margo Martindale “August: Osage County”
7. June Squibb “Nebraska”
8. Melissa Leo “Prisoners”
9. Jennifer Lawrence “American Hustle”
10. Carey Mulligan “Inside Llewyn Davis”

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Oscars 2013 Results

 

 
The long awaited Oscar night is finally over and I’ve come out feeling like quite a champion with 21 of 24 predictions come true. There were a couple sneaky categories and my final predictions for the most part came true.

As for the contest side of things, we have a tie between two people- nate and Stefanie Schneider- who both went 20 for 24. My readership pulled some really good votes as we had a number of 19’s as well. Good work guys. Now for the business side of things, first one of you guys to email me will snag that prize. What is it? Why a sweet DVD of course.

 
 

Of the four Oscar narratives I foresaw, the situation I was touting most and betting with happened to come true with a big split during the night leaving Life of Pi as the big winner after securing four Oscar wins with Argo and Les Miserables receiving three each. Skyfall, Lincoln and Django Unchained all snagged two and everything else received just one.

Although most everything fell into line just as I predicted, I let the Christoph Waltz‘s win slip away from me even though I said he should have wonand had a big question mark as to who actually would win until just two nights prior to the big night. Should have gone with my gut on both that and Lincoln for Production Design and my ballot would have been nearly flawless.

I thought host Seth McFarlane did a great job at opening the show, keeping the thing spinning along and running the gambit on joke fodder throughout the evening. Nothing and no-one was untouchable and I’m sure he’s the best presenter we’ve had for a number of years. Lesson to learn: funny, young and currently “in” works. Out with the old, in with the new.

Finally, it was nice to see the night book-ended by the most sincere and honest pair of acceptance speeches which came from Christoph Waltz and Ben Affleck. Good on ya guys.

The final results are below with the three categories I missed posted in red.

_______________________________________________________________________________________________________________________________

Best Picture

Argo

Best Actor

Daniel Day-Lewis (Lincoln)

Best Actress

Jennifer Lawrence (Silver Linings Playbook)

Best Supporting Actor

Christoph Waltz (Django Unchained)

Best Supporting Actress

Anne Hathaway (Les Misérables)

Best Director

Ang Lee (Life of Pi)

Best Writing (Adapted Screenplay)

Chris Terrio (Argo)

Best Writing (Original Screenplay)

Quentin Tarantino (Django Unchained)

Best Animated Feature Film

Brave

Best Documentary (Feature)

Searching for Sugar Man

Best Foreign Language Film

Amour

Best Cinematography 

Life of Pi (Claudio Miranda)

Best Film Editing

Argo

Best Music (Original Score)

Mychael Danna (Life of Pi)

Best Music (Original Song)

“Skyfall” from Skyfall

Best Sound Mixing

Les Misérables

Best Sound Editing

Skyfall/Zero Dark Thirty

Best Production Design 

Lincoln

Best Visual Effects

Life of Pi

Best Costumes

Anna Karenina

Best Makeup and Hairstyling

Les Misérables

Best Documentary Short Subject

Inocente

Best Short Film (Animated)

Paperman

Best Short Film (Live Action)

Curfew

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Oscar Predictions 2013

My final ballot has been cast and although there are a number of categories I’m really unsure of, I gotta some risks here. Anything in red are my risk picks. Assume everything is a lock.

If you haven’t yet, be sure to enter the First Annual SmartFilm Oscar Prediction Contest. All you need to do is create a username and cast your predictions!

 

Best Picture
“Argo

Best Director
Ang Lee “Life of Pi”

Best Actor
Daniel Day-Lewis “Lincoln”

Best Actress
Jennifer Lawrence  “Silver Linings Playbook”

Best Supporting Actor
Robert De Niro “Silver Linings Playbook”

Best Supporting Actress
Anne Hathaway “Les Misérables”

Best Animated Film
“Brave” Mark Andrews and Brenda Chapman

Adapted Screenplay
“Argo” Screenplay by Chris Terrio

Original Screenplay
“Django Unchained” Written by Quentin Tarantino

Achievement in Costume Design
“Anna Karenina” Jacqueline Durran

Best Documentary
“Searching for Sugar Man”

Best Documentary Short Subject
“Inocente” Sean Fine and Andrea Nix Fine

Achievement in Film Editing
“Argo” William Goldenberg

Best Foreign Language Film
“Amour” Austria

Achievement in Cinematography
“Life of Pi” Claudio Miranda

Achievement in Makeup and Hairstyling
“Les Misérables” Lisa Westcott and Julie Dartnell

Original score
“Life of Pi” Mychael Danna

Original song
“Skyfall” from “Skyfall”- Music and Lyric by Adele Adkins and Paul Epworth

Achievement in Production Design
“Anna Karenina” – Production Design: Sarah Greenwood; Set Decoration: Katie Spencer

Achievement in Sound Editing
“Life of Pi” Eugene Gearty and Philip Stockton

Achievement in Sound Mixing
“Les Misérables” Andy Nelson, Mark Paterson and Simon Hayes

Achievement in Visual Effects
“Life of Pi” Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott

Best Animated Short Film
“Paperman” John Kahrs

Best Live Action Short Film
“Curfew” Shawn Christensen

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Oscar 2013: Who Will Win, Who Should Win

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Who deserves to win doesn’t always line up with who does win so take a look at where the Oscars are gonna end up and where they actually should be heading.

(Note: This is not my final ballot, I still need to do some equivocating and fill in my dashes so expect that final submission tomorrow evening.)

Best Picture

Who Will Win: Argo


Argo
has got the proverbial wing beneath it’s said and it’s outright hoarding of all the precursor awards are sure to lead to an Argonian victory speech next Sunday. With the DGAs, PGAs, BAFTAs, Golden Globes, Critic’s Choice, SAGs and WGAs under its belt, it’s hard to imagine a world where Argo does not win Best Picture.

 

Who Should Win: Silver Linings Playbook

 

Although Django Unchained was technically my favorite of the year, I don’t think it should be the picture that gets Quentin Tarantino his first, and likely only, win. No, this year’s winner should be Silver Linings Playbook. Although detractors of the film attack it with labels of ‘levity’ and ‘rom-com’, it really isn’t either of those things to any degree. Silver Linings Playbook managed a miraculously real exploration of romance amid catastrophe with sensitive navigation. It’s a remarkably emotional film and to degrade it with the label of rom-com is akin to calling Argo a mindless actioner.

Best Director

Who Will Win: Ang Lee

This is definitely the trickiest category going this year. The only person with any real momentum here is Affleck and he’s ineligible for the win. While I want to say that Steven Spielberg is the safe bet, here is little to no empirical evidence that suggest that he is indeed the front runner. In fact, outside of a slew of nominations, Spielberg has received little fanfare on the accolades side for his turn behind the camera, critical acclaim notwithstanding. Plus, he’s a safe vote and we’ve yet to see if the Academy will try and be more forward-looking and less passe this time around. Ang Lee seems a likely mantle holder for front runner but that would probably be more of a legacy win than for representing Life of Pi as his finest work. Since Life of Pi is easily the biggest moneymaker worldwide, why not seem relevant and present him the prize. I’m going out on a limb here but I just can’t help but put Lee at number one.

Who Should Win: David O’Russell

 

Returning to my sentiments on Silver Linings Playbook, it was undeniably David O’Russell‘s tender hand that made the film work as effectively as it did. If handled with less sensitivity and deliberate execution, it easily could have fallen victim to the pitfalls of melodrama, a feat which he and his talented cast alone can take credit for. O’Russell has proved of late that he has a noxious ability to direct actors into award-winning roles so it’s about time for him to get his cred.

Best Actor

Who Will Win: Daniel Day Lewis

No-one will deny Daniel Day Lewis‘s craft and his uncanny transformative ability. He managed to continue his victory streak of excellent thesbianism and his portrayal of the 16th President of the United States will be sure to gain him his third, and record setting, win for Best Actor.

Who Should Win: Daniel Day Lewis

 

The reason DDL is so strong in this category is all due to the fact that he didn’t just bring a stoic icon to life, he did it in a deeply personal and curiously tender way, presenting a side of Lincoln no-one saw coming. Lewis’ master class in method acting allowed us to hang with the long deceased president for a few hours and he deserves to be presented with his third lil’ gold guy. The strongest contender in this category from where I’m standing is Joaquin Phoenix. Phoenix displayed an equally fine-tuned character on the other side of the human condition and played unhinged and animalistic in his mannerisms and gestures alike. It’s too bad that The Master wasn’t a finer film in which to showcase Phoenix’s acting prowess.

Best Actress

Who Will Win: Jennifer Lawrence

 

This category isn’t a total lock but Jennifer Lawrence definitely is the front runner here. Although she hasn’t snagged all the precursors, which are usually a strong means of prediction, she is certainly still considered to be leading her category by most Oscar pundits. There is still a good chance that Jessica Chastain ends up with the win or a split vote between Lawrence and Chastain opens up an avenue for underdog Emmanuelle Riva to sneak in.

Who Will Win: Jennifer Lawrence

 

Lawrence put on an admirably scatter-shot performance as Tiffany in Silver Linings Playbook, fluctuating between being guarded and psychotic, irrational and acute, sharp and girlish, always with shocking honesty. Her portrait felt real and truly fleshed out and genuine. For some, it would be the performance of their life but I expect Lawrence has more up her sleeve. Tiffany was not the cheap, surface caricature that she might have been, this was a well studied and meaningful performance and although Lawrence is young, she deserves the win here.

Best Support Actress

Who Will Win: Anne Hathaway

Anne Hathaway‘s literally breathtaking rendition of “I Dreamed a Dream” delivered with so much teary-eyed panache that it became the forefront of the Les Miserables marketing campaign. Every trailer was branded with this harrowing tune to the point that anyone who watches television or goes to the movies are sure to be familiar with the majority of it regardless of whether they’ve actually seen the film. Even those who missed it will be sure to recognize a closely shaven Hathway belting out in agony and that public presence alone is enough to run her to the forefront. There’s a reason the marketing blitz started and stopped with Hathaway, she was the uncontested highlight of Les Misand her cry-singing (or is it sing-crying?) will most certainly be winning her her first Oscar

Who Should Win: Anne Hathaway

As much as I’ve had my reservations about the ceaselessly perky Hathaway in the past, her dueling fare from the year has all but won me over. Her bit in Les Miserables was a shining beacon of hope in an otherwise tiresome film and proved her potent dramatic gravitas. On the opposite side of the spectrum, she nicely balanced out that intensity with an unforgettable turn as a sassy, no-BS Catwoman (actually Selina Kyle) in Christopher Nolan‘s final Batman outing, earning her the title of this year’s Best Supporting Actress.

Best Supporting Actor

Who Will Win: ?

 

This year’s best supporting actor field is really anyone’s race, with the possible exception of Alan Arkin. You may as well flip a four sided coin and go with the result because a good argument could be made for any of these contenders. At different points of the year, I’ve had my money on Phillip Seymour Hoffman then Tommy Lee Jones then Robert DeNiro and finally Christoph Waltz. Now I’m scrambling to make a final call as this field is truly a toss up that even the finest of prognosticators will be sure to miss out on.

Who Should Win: Christoph Waltz

Well obviously I’m going with Waltz. I gave his performance in Django Unchaineda glowing reviewing when it came out and I stick wholeheartedly to it. Waltz may have won Best Supporting Actor just a few years back under the Tarantino flag and sporting similar diction and cadence but that doesn’t detract from his truly phenomenal performance here. Although there are notable similarities, the contrast in character really couldn’t be starker. His prior win was for a hypnotic villain who made your belly turn and your face cringe while a win here would be for a hero that you helplessly stood behind and cheered for the whole way along. Is that enough of a difference for the Academy though? We shall see if they can distinguish the different between capitalizing and selflessness, villainy and heroics.

Cinematography 

Who Will Win: Life of Pi

At this point, I’m essentially relegating all the technicals Life of Pi‘s way because of the overwhelming support for the film both critically and commercially. Basically I expect Pi to play out much like this year’s Inception in the sense that it’ll probably tie for the top number of wins, albeit those coming strictly from tech categories. I certainly wouldn’t want to be on the wrong end of an argument debating the deservedness of the Life of Pi win but it just wasn’t a film that engaged me on a level deeper than the visual plus DP Claudio Mirandareally doesn’t have the filmography beneath his belt to outright deserve a win.

Who Should Win: Roger Deakins

Roger Deakins has been responsible for some of the most breathtaking and lively cinematography this side of Hollywood and his painterly photography of Skyfall was undeniably inspired. His scenery, lighting, camera motion decisions and framing decisions make it the most visually stunning Bond we’ve seen yet. It’s rare that a cinematogrpaher stands out as much as Deakins did here especially within the context of a massive blockbuster. I’m not ready to commit to necessarily calling this his finest work (as he’s competing against himself there with No Country For Old Men, True Grit, Shawshank Redemption, The Big Lebowski and Jarhead) but it certainly stands amongst his finest. Deakins has been nominated ten times and still has never won. It’s about time.

Editing

Who Will Win: Argo

Historically, editing has always been a category that goes hand-in-hand with Best Picture and don’t expect that to change this year as it will more than likely be headed Argo‘s way. While this trend unfortunately takes the fun out of the category, it also leaves it ripe for a shocker like last year’s surprising victory for The Girl With The Dragon Tattoo.

Who Should Win: Zero Dark Thirty

Whether you applaud Mark Boal‘s script or the editor here is up to you but there’s no denying the feat that is condensing a nine year historical manhunt into a movie that runs under three hours. This was the chief achievement of Zero Dark Thirty. Though some knocked it for being dull, the sense of hyper realism was propelled by the editors cautious cutting choices. Every choice seems deliberate and substantial, a necessary path to our final understand of the character at the forefront.

Best Animated Feature

Who Will Win: Brave

This year’s Best Animated Feature race is more lively than normal with a host of viable contenders. While the odds are still out, films like Frankenweenie and Paranorman still stand a chance but more than likely will cancel each other out because of their similar subject material (reanimation) and medium (stop-motion). This will most likely propel Brave to the victory and this is really a shame. Pixar was on such a winning streak up until the credits rolled out on Toy Story 3 and since have seemed to go cold. Bravewas very derivative fare that fell into sentimentality and mindless plot points. Brand recognition however goes a long way and the fact that Pixar missed out last year more than likely means that they’ll be taking the win even after phoning it in. Plus, the mother-and-daughter-finally-understanding-each-other resolution is much more in line with Academy sensibility than the genre blenders that fill out the rest of the field.

Who Should Win: Wreck it Ralph 

Wreck it Ralph was a genuinely from-the-heart story laid out on a stunning and inventive visual canvas that managed to excite both nostalgia and wonder. Many people confused it for a Pixar film and with good reason, because it, like what Pixar used to represent, was actually great. Ralph should win to change the narrative and prove that the increasingly worthwhile Dreamworks Animation Studio may just have inherited the mantle from Pixar.

Visual Effects

Who Will Win: Life of Pi

Again, look at the Inception ticket to get a good read here. It took both Sound Editing and Mixing, Cinematography and Visual Effects, the likely route for Life of Pi minus sound mixing which will go to Les Miserables. There’s nothing to knock Ang Lee’s beautifully made Life of Pi for, it’s elegant use of 3D technology and dreamlike landscapes were most definitely the standouts of the film and I won’t be booing when it takes the win, which trust me, it will.

 Who Should Win: The Avengers

Say what you will about the Marvel mashup but there’s no denying the visual mastery taking place on screen in The Avengers. Maybe it’s just the inner geek in me speaking up but the final climax in Avengers was truly a one-of-a-kind spectacle. Sure, it’s eye candy but it was goddamn delicious. The fact that Marvel stipulated that final sequence before they were had a story is no surprise, it’s the breathtaking centerfold to their already massively scoped blockbuster and it delivered more geekgasms than the world could have ever expected.

 

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The Potential Narratives Of 2013's Oscars

As we gather up our chips, roll the dice and make a gamble for the Oscar night that is nearly upon us, I take a look at four potential narratives that may be the story of this year’s Oscars.

At this point in the game, there are up to four narratives that could be potentially written about this year’s Oscar ceremony, making the role of prognosticator particularly challenging this season. The likely scenario will entail a split between the major categories with awards going every which way. While an unexpected sweep from a pair of heavy contenders is unlikely, it is still entirely possible. Finally, a few underdogs may just creep up and take advantage of the hefty competition and secure themselves as 2013’s top dogs.

The most likely scenario is a split, where Argo takes a choice grab of major awards (Best Picture, Editing, Adapted Screenplay), Lincoln snags a few big ones (Director, Actor, Production Design) and Life of Pi and Silver Linings Playbook split the rest of the main fare with the an abundance of the technical categories heading Pi’s way and Silver Linings Playbook scooping up some acting cred with Robert DeNiro for Best Supporting Actor and Jennifer Lawrence for Best Actress and potentially, however unlikely, even grabbing Adapted Screenplay away from Argo. All that’s left is Quentin Tarantino‘s Django Unchained which would pick up Original Screenplay and potentially that second Best Supporting Actor for Christoph Waltz.

This is the likely scenario but since it’s a year in flux, we have to consider alternative situations. We have to consider the upset. Now hear me out on this because it could go one of two ways: the Lincoln road or the Silver Linings route. Although Argo seems to have Best Picture on lock-down, Affleck‘s lack of a nomination is still troubling statistically since films just don’t win Best Pic without even having their director nominated. In fact, most years Best Director and Best Picture come nicely packaged together with a pair of wins. Although unlikely, this is still a possibility we could still see this year with either Lincoln or Silver Linings.

We know that Oscar-hoarding mastermind Harvey Weinstein is standing firmly behind Silver Linings Playbook and has been greasing the Academy’s wheel so if we hear David O’Russell‘s name called for the highest directorial honor, the big win for Silver Linings might just not be out of the question. Lincoln has made a similarly strong push and certainly appeals to the whole backwards-looking factions of the Academy so it wouldn’t be out of character for them to ignore the precursors and just hand it all over to Steven Spielberg and his well made biopic. While either of these situations wouldn’t quite classify as your out-and-out sweep, they certainly would represent a staggering victory for either film. Since both these two are Argo’s biggest contendors, don’t count out that this could be the way the cookie crumbles quite yet.

 

The final scenario is even less likely and involves Michael Haneke‘s Amour taking home the bulk of Oscar gold. Even if Amour loses Best Pic to Argo, it still has Best Foreign Language Film locked down and if it managed to also pull Best Director, Best Original Screenplay and perhaps even an upset by Emmanuelle Riva, be certain that Amour will be the hot talking point going forward. No-one ever see the small ones coming but it’s happened before, think Slumdog Millionaire, and with such a divided year, it could just become a reality.

 
An equally fantastical situation involves a last minute Zero Dark Thirty resurgence. In the dark corners of the voters privacy, it just might sneak up and make off with a bounty from Mark Boal‘s screenplay to the even more likely win for Jessica Chastain to a potential snagging of Best Editing. Although it’s chances of winning are about as likely as that fabled Affleck write-in, it could still grab a bulk of awards by taking advantage of the thoroughly divided riff between Argo, Silver Linings Playbook and Lincoln.

 

While my prognosticating leads me to a conclusion that is much more divided, beware the sweep and the underdogs for their shocking glory is sure to ruin a number of balloters chances. When all is said and done though, expect the Hollywood-aggrandizing, director-nomination-less Argo to be laughing all the way to the bank.

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SmartFilm 1st Annual Oscar Prediction Contest (UPDATED)

 

I’ve been getting a lot of buzz from readers requesting an Oscar Prediction contest for my readership and since nothing is better than good ol’ fashion competition come place your wagers for the noche of February 24th. Duke it out amongst yourselves to call which way these coveted 24 slots will turn and become the Ultimate Oscar Predictor.

 

To make it all a little more interesting, I have a mystery prize for the winner (barring a ten-way tie)… and yes, the prize is a DVD. You have almost two weeks to make your get your ducks in order and place your bets so don’t cop out here. And try and get as many people in on this as possible- the more the merrier.

In addition to a prize, the winner will get a shout out on the site and will generally be recognized as uber cool by pretty much everyone.

I’ll have my predictions up the night of the 22nd after the final submission and we’ll let this all play out. Make sure to check out my live blog on Oscar night itself as I’ll be keeping tally of which contest submissions are looking golden and whose catching the snubs.

The Rules

  • You must submit your predictions by Friday, February 22nd Saturday, February 23rd at Midnight.
  • Only one submission per person.
  • Only submissions placed via page comment (at the bottom of this page) will count. Do not post on the SmartFilm Facebook wall or send me an email or message. Your predictions are only valid if they’re in the right spot. 
  • Vote for every category in order to win. While it’s all well and good to only care about the primary battlefields, if you only submit predictions for Best Performers and Pic/Director, you’ll miss out on all the other categories and will have a small shot at winning.

The Contenders

Best Picture
Amour
Argo
Beasts of the Southern Wild
Django Unchained
 Les Misérables
Life of Pi
Lincoln
Silver Linings Playbook
Zero Dark Thirty

Best Director
Michael Haneke “Amour”
Benh Zeitlin “Beasts of the Southern Wild”
Ang Lee “Life of Pi”
Steven Spielberg “Lincoln”
David O. Russell “Silver Linings Playbook”

Best Actor
Bradley Cooper “Silver Linings Playbook”
Daniel Day-Lewis “Lincoln”
Hugh Jackman “Les Misérables”
Joaquin Phoenix “The Master”
Denzel Washington “Flight”

Best Actress
Jessica Chastain “Zero Dark Thirty”
Jennifer Lawrence  “Silver Linings Playbook”
Emmanuelle Riva  “Amour”
Quvenzhané Wallis “Beasts of the Southern Wild”
Naomi Watts  “The Impossible

Best Supporting Actor
Alan Arkin “Argo”
Robert De Niro “Silver Linings Playbook”
Philip Seymour Hoffman “The Master”
Tommy Lee Jones  “Lincoln”
Christoph Waltz “Django Unchained”

Best Supporting Actress
Amy Adams “The Master”
Sally Field “Lincoln”
Anne Hathaway “Les Misérables”
Helen Hunt “The Sessions”
Jacki Weaver “Silver Linings Playbook”

Best Animated Film
“Brave” Mark Andrews and Brenda Chapman
“Frankenweenie” Tim Burton
“ParaNorman” Sam Fell and Chris Butler
“The Pirates! Band of Misfits” Peter Lord
“Wreck-It Ralph” Rich Moore

Achievement in Cinematography
“Anna Karenina” Seamus McGarvey
“Django Unchained” Robert Richardson
“Life of Pi” Claudio Miranda
“Lincoln” Janusz Kaminski
“Skyfall” Roger Deakins

Achievement in Costume Design
“Anna Karenina” Jacqueline Durran
“Les Misérables” Paco Delgado
“Lincoln” Joanna Johnston
“Mirror Mirror” Eiko Ishioka
“Snow White and the Huntsman” Colleen Atwood

Best Documentary
“5 Broken Cameras”
Emad Burnat and Guy Davidi
“The Gatekeepers”
Nominees to be determined
“How to Survive a Plague”
Nominees to be determined
“The Invisible War”
Nominees to be determined
“Searching for Sugar Man”
Nominees to be determined

Best Documentary Short Subject
“Inocente”
Sean Fine and Andrea Nix Fine
“Kings Point”
Sari Gilman and Jedd Wider
“Mondays at Racine”
Cynthia Wade and Robin Honan
“Open Heart”
Kief Davidson and Cori Shepherd Stern
“Redemption”
Jon Alpert and Matthew O’Neill

Achievement in Film Editing
“Argo” William Goldenberg
“Life of Pi” Tim Squyres
“Lincoln” Michael Kahn
“Silver Linings Playbook” Jay Cassidy and Crispin Struthers
“Zero Dark Thirty” Dylan Tichenor and William Goldenberg

Best Foreign Language Film
“Amour” Austria
“Kon-Tiki” Norway
“No” Chile
“A Royal Affair” Denmark
“War Witch” Canada

Achievement in Makeup and Hairstyling
“Hitchcock”
Howard Berger, Peter Montagna and Martin Samuel
“The Hobbit: An Unexpected Journey”
Peter Swords King, Rick Findlater and Tami Lane
“Les Misérables”
Lisa Westcott and Julie Dartnell

Original score
“Anna Karenina” Dario Marianelli
“Argo” Alexandre Desplat
“Life of Pi” Mychael Danna
“Lincoln” John Williams
“Skyfall” Thomas Newman

Original song
“Before My Time” from “Chasing Ice”
Music and Lyric by J. Ralph
“Everybody Needs A Best Friend” from “Ted”
Music by Walter Murphy; Lyric by Seth MacFarlane
“Pi’s Lullaby” from “Life of Pi”
Music by Mychael Danna; Lyric by Bombay Jayashri
“Skyfall” from “Skyfall”
Music and Lyric by Adele Adkins and Paul Epworth
“Suddenly” from “Les Misérables”
Music by Claude-Michel Schönberg; Lyric by Herbert Kretzmer and Alain Boublil

Achievement in Production Design
“Anna Karenina”
Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
“The Hobbit: An Unexpected Journey”
Production Design: Dan Hennah; Set Decoration: Ra Vincent and Simon Bright
“Les Misérables”
Production Design: Eve Stewart; Set Decoration: Anna Lynch-Robinson
“Life of Pi”
Production Design: David Gropman; Set Decoration: Anna Pinnock
“Lincoln”
Production Design: Rick Carter; Set Decoration: Jim Erickson

Best Animated Short Film
“Adam and Dog” Minkyu Lee
“Fresh Guacamole” PES
“Head over Heels” Timothy Reckart and Fodhla Cronin O’Reilly
“Maggie Simpson in “The Longest Daycare”” David Silverman
“Paperman” John Kahrs

Best Live Action Short Film
“Asad” Bryan Buckley and Mino Jarjoura
“Buzkashi Boys” Sam French and Ariel Nasr
“Curfew” Shawn Christensen
“Death of a Shadow (Dood van een Schaduw)” Tom Van Avermaet and Ellen De Waele
“Henry” Yan England

Achievement in Sound Editing
“Argo” Erik Aadahl and Ethan Van der Ryn
“Django Unchained” Wylie Stateman
“Life of Pi” Eugene Gearty and Philip Stockton
“Skyfall” Per Hallberg and Karen Baker Landers
“Zero Dark Thirty” Paul N.J. Ottosson

Achievement in Sound Mixing
“Argo”
John Reitz, Gregg Rudloff and Jose Antonio Garcia
“Les Misérables”
Andy Nelson, Mark Paterson and Simon Hayes
“Life of Pi”
Ron Bartlett, D.M. Hemphill and Drew Kunin
“Lincoln”
Andy Nelson, Gary Rydstrom and Ronald Judkins
“Skyfall”
Scott Millan, Greg P. Russell and Stuart Wilson

Achievement in Visual Effects
“The Hobbit: An Unexpected Journey”
Joe Letteri, Eric Saindon, David Clayton and R. Christopher White
“Life of Pi”
Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott
“Marvel’s The Avengers”
Janek Sirrs, Jeff White, Guy Williams and Dan Sudick
“Prometheus”
Richard Stammers, Trevor Wood, Charley Henley and Martin Hill
“Snow White and the Huntsman”
Cedric Nicolas-Troyan, Philip Brennan, Neil Corbould and Michael Dawson

Adapted Screenplay
“Argo” Screenplay by Chris Terrio
“Beasts of the Southern Wild” Screenplay by Lucy Alibar & Benh Zeitlin
“Life of Pi” Screenplay by David Magee
“Lincoln” Screenplay by Tony Kushner
“Silver Linings Playbook” Screenplay by David O. Russell

Original Screenplay
“Amour” Written by Michael Haneke
“Django Unchained” Written by Quentin Tarantino
“Flight” Written by John Gatins
“Moonrise Kingdom” Written by Wes Anderson & Roman Coppola
“Zero Dark Thirty” Written by Mark Boal

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DGA Award Winners Muddle Oscar Odds

 

The DGA‘s are pretty much the last indication of the Hollywood Award season and with a year that’s been particularly tricky to call, these awards leading up to Oscar night are more important than ever. This brings us to tonight’s awards with the DGA, or Director’s Guild of America. The big win of the night though belongs to Ben Affleck who won Best Feature Film for Argo.

The DGA awards are exclusively for the men and women behind the cameras so don’t be surprised to see Best Actor and Actress and all that jazz left off here. Consisting of, you guessed it, directors from America, this elite group certainly knows best when it comes to directing and chooses winners from amongst themselves as well as newcomers to the industry.

Historically, the DGA’s have been a strong predictor for Best Director which in turn lends lots of creedence to a film winning Best Picture. In the history of the DGA awards, the directorial winner of Best Feature Film has gone on to snag the Best Director Oscar all but six times. Since the DGA began in 1948, that’s quite a track record. 

Of those six who didn’t make the cut, there were 1968’sThe Lion in Winter Oliver where Anthony Harvey won the DGA but Carol Reed won the Oscar for Oliver. 1972 had Cabaret director Bob Fosse take the Oscar while Francis Ford Coppola won the Oscar for The Godfather, 1985’s Out of Africa had Sydney Pollack win the Oscar but lost to Steven Spielberg for The Color Purple when it came to the DGAs, 1995’s fan favorite Braveheart which won Mel Gibson a Best Directors award come Oscar night while the DGA went another direction and awarded Ron Howard for Apollo 13 snagged Best Director come Oscar night, 2000’s Crouching Tiger, Hidden Dragon won Ang Lee a DGA but auteur Steven Soderbergh scooped up the Oscar for Traffic and finally the DGA awarded Rob Marshall for Chicago over the Academy’s pick The Pianist where infamous Hollywood ex-communicatee Roman Polanski won Oscar gold.

Ben Affleck and his film Argo have gone on a fiery winning streak which is only solidified by tonight’s win. He’s also taken gold home for Best Picture at the PGAs, snagging both Best Pic and Best Director at the Critics Choice Award and the Golden Globes, a Best Ensemble Cast at the SAG awards amongst a slew of other more minor wins. Barring an unprecedented mass scale write in campaign, Affleck still stands ineligible for a Best Director win because of his lack of a nomination. At this point in the same, Affleck would seem to be the obvious choice so making the Oscar prediction sans him makes it all that much more unpredictable.

It’s no surprise to see Game Change continue on a good roll where Rian Johnson, who also directed this year’s epic Looper, won for one of my favorite shows on television, Breaking Bad. Newcomer Lena Dunham took home another win for the inaugural episode of the new HBO hit, Girls while another until recently unknown Malik Bendjelloul conquered in the documentary department.

Below you’ll find the nominees with the winners highlighted in bold.

FEATURE FILM

BEN AFFLECK Argo
(Warner Bros. Pictures)

KATHRYN BIGELOW
Zero Dark Thirty
(Columbia Pictures)
 
TOM HOOPER
Les Miserables
(Universal Pictures)
 
ANG LEE
Life of Pi
(20th Century Fox)

STEVEN SPIELBERG
Lincoln
(DreamWorks Pictures/Twentieth Century Fox)

DOCUMENTARY FILM

MALIK BENDJELLOUL
Searching For Sugar Man

 
KIRBY DICK
The Invisible War

LAUREN GREENFIELD
The Queen of Versailles

DAVID FRANCE
How To Survive A Plague

ALISON KLAYMAN
Ai WeiWei: Never Sorry

DRAMATIC SERIES

RIAN JOHNSON
Breaking Bad, “Fifty-One”
(AMC)

  
MICHAEL CUESTA
Homeland, “The Choice”
(Showtime)

JENNIFER GETZINGER
Mad Men, “A Little Kiss”
(AMC)

LESLI LINKA GLATTER
Homeland, “Q & A”
(Showtime)
 
GREG MOTTOLA
The Newsroom, “We Just Decided To”
(HBO)

MOVIES FOR TELEVISION AND MINI-SERIES

JAY ROACH
Game Change
(HBO)

 GREG BERLANTI
Political Animals, “Pilot”
(USA Network)

PHILIP KAUFMAN
Hemingway & Gellhorn
(HBO)

KEVIN REYNOLDS
Hatfields & McCoys
(History)
 
MICHAEL RYMER
American Horror Story: Asylum, “Dark Cousin”
(FX)
 

COMEDY SERIES

LENA DUNHAM
Girls, “Pilot”
(HBO)

 
LOUIS C.K.
Louie, “New Year’s Eve”
(FX)

MARK CENDROWSKI
The Big Bang Theory, “The Date Night Variable”
(CBS)

BRYAN CRANSTON
Modern Family, “Election Day”
(ABC)
 
BETH MCCARTHY-MILLER
30 Rock, “Live from Studio 6H”
(NBC)

MUSICAL VARIETY

GLENN WEISS
66th Annual Tony Awards
(CBS)

 MICHAEL DEMPSEY
12-12-12: The Concert for Sandy Relief
(Multiple Networks/Cable Outlets)

DON ROY KING
Saturday Night Live with Host Mick Jagger
(NBC)

DON MISCHER
84th Annual Academy Awards
(ABC)

CHUCK O’NEIL
The Daily Show With Jon Stewart, “#17153”
(Comedy Central)

REALITY PROGRAMS

BRIAN SMITH
Master Chef, “Episode #305”
(Fox)

TONY CROLL
America’s Next Top Model, “The Girl Who Becomes America’s Next Top Model”
(CW)

PETER NEY
Face Off, “Scene of the Crime”
(Syfy)

J. RUPERT THOMPSON
Stars Earn Stripes, “Amphibious Assault”
(NBC)

TIM WARREN
Ink Master, “Episode 103”
(Spike TV)

DAYTIME SERIALS

JILL MITWELL
One Life To Live, “Between Heaven and Hell”
(ABC)

ALBERT ALARR
Days Of Our Lives, “11895”
(NBC)

LARRY CARPENTER
General Hospital, “Bad Water”
(ABC)

WILLIAM LUDEL
General Hospital, “Magic Milo”
(ABC)

SCOTT McKINSEY
General Hospital, “Shot Through The Heart”
(ABC)
 

CHILDREN’S PROGRAMS

PAUL HOEN
Let it Shine
(Disney Channel)

STUART GILLARD
Girl vs. Monster
(Disney Channel)

SAVAGE STEVE HOLLAND
Big Time Movie
(Nickelodeon)

JONATHAN JUDGE
Camp Fred
(Nickelodeon)

AMY SCHATZ
Don’t Divorce Me! Kids’ Rules for Parents on Divorce
(HBO)

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Golden Globes Shake Things Up

 

Ladies and gentlemen the 2013 Award’s race just got that much more interesting. While some awards helped confirm who our Oscar locks really are, some threw a surprising wrench in the proverbial spokes. As some films like ‘Argo’ and ‘Les Miserables’ pick up steam, others like ‘Lincoln’ and ‘Silver Linings Playbook’ seem to be running of fumes for that final Oscar win.

Below you’ll find the winners and my commentary.

BEST MOTION PICTURE (Drama)

  • Argo
  • Django Unchained
  • Life of Pi
  • Lincoln
  • Zero Dark Thirty

So let’s start big. Argo winning the Globes is far from securing it at the top slot for the Oscars, as those are a whole different bag of tricks, but it does really do a number for Lincoln‘s standings.  The fact that Lincoln only took home one Globe for Best Actor, which what else can you expect from DDL, doesn’t do much in terms of momentum going forward. Do we have a new frontrunner in Argo? The fact that Ben Affleck didn’t even get nominated surely points to a no but it definitely has more momentum and more backing from other institutions at this point.

BEST MOTION PICTURE (Comedy or Musical)

  • Les Miserables
  • The Best Exotic Marigold Hotel
  • Moonrise Kingdom
  • Salmon Fishing in the Yemen
  • Silver Linings Playbook

We all know that the Academy Awards don’t block things off into Drama and Comedy/Musical and seeing that Drama is nearly always the more prestigious category, we can assume that this Les Mis win won’t do a whole lot on its own for her Oscar standings. I’m still keeping this one

BEST DIRECTOR

  • Ben Affleck – Argo
  • Kathryn Bigelow – Zero Dark Thirty
  • Ang Lee – Life of Pi
  • Steven Spielberg – Lincoln
  • Quentin Tarantino – Django Unchained 

Talk about a shake up. Afflect, at this point, seems to have more momentum than any other director out there and yet HE’S NOT EVEN IN THE RUNNINGS FOR THE OSCARS. Nor are fellow nominees Bigelow or Tarantino, essentially making the race between Spielberg, Lee and O’Russell. There’s no way that the little gold guy goes to Haneke or Zeitlin because neither have an sway or much precedence at the Oscar table. Haneke’s nomination only comes from the overflow of love for Amour where the rest of his career has been dismissed at best and hated at worst. Zeitlin is a first time director and while he managed to capture an otherworldly sense of realism with Beasts, he’s clearly running in last place with no foreseeable chance at winning.

BEST ACTOR IN A MOTION PICTURE (Drama)

  • Daniel Day-Lewis – Lincoln
  • Richard Gere – Arbitrage
  • John Hawkes – The Sessions
  • Joaquin Phoenix – The Master
  • Denzel Washington – Flight

No suprises here. DDL has this one on lock.

BEST ACTOR IN A MOTION PICTURE (Comedy or Musical)

  • Hugh Jackman – Les Miserables
  • Jack Black – Bernie
  • Bradley Cooper – Silver Linings Playbook
  • Ewan McGregor – Salmon Fishing in the Yemen
  • Bill Murray – Hyde Park on Hudson

 Looks like Jackman is the only real contender for DDL’s crown come February but the signs are all pointing the other way. Be happy with the Globe Jackman, even though, in this guy’s opinion, you didn’t deserve it this time around.

BEST ACTRESS IN A MOTION PICTURE (Drama)

  • Jessica Chastain – Zero Dark Thirty
  • Marion Cotillard – Rust and Bone
  • Helen Mirren – Hitchcock
  • Naomi Watts – The Impossible
  • Rachel Weisz – The Deep Blue Sea

This is where things get interesting. Essentially, we have a two woman race for Best Actress between Jessica Chastain and Jennifer Lawerence and the fact that they both won their respective categories but didn’t have to fact each other down head to head offers little knowledge as to what the final verdict will be. I don’t know quite where I stand on this one but with momentum on Chastain’s side, I’m going to have to go with her even though I’d prefer a Lawrence win.

BEST ACTRESS IN A MOTION PICTURE (Comedy or Musical)

  • Jennifer Lawrence – Silver Linings Playbook
  • Emily Blunt – Salmon Fishing in the Yemen
  • Judi Dench – The Best Exotic Marigold Hotel
  • Maggie Smith – Quartet
  • Meryl Streep – Hope Springs

See above for commentary on this field.

BEST SUPPORTING ACTOR IN A MOTION PICTURE

  • Christoph Waltz – Django Unchained
  • Alan Arkin – Argo
  • Leonardo DiCaprio – Django Unchained
  • Philip Seymour Hoffman – The Master
  • Tommy Lee Jones – Lincoln

After having the other four nominees locked for the better part of the year, Waltz has managed to slip into the final slot and shockingly best his fellow contenders. Does this mean that we can expect a win for Waltz at the Oscars? Well let’s just say it puts him in a very strong position.

BEST SUPPORTING ACTRESS IN A MOTION PICTURE

  • Anne Hathaway – Les Miserables
  • Amy Adams – The Master
  • Sally Field – Lincoln
  • Helen Hunt – The Sessions
  • Nicole Kidman – The Paperboy

 This one’s another lock for Best Supporting. Hathaway was stunning in Les Mis and everyone who’s only seen the trailer knows it. She’s running full power for Fantine and then some extra loving for her Catwoman portrayal, so let’s just say she’s got the cat in the bag. 

For other wins sans commentary check below.

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BEST ANIMATED FILM

  • Brave
  • Frankenweenie
  • Hotel Transylvania
  • Rise of the Guardians
  • Wreck-It Ralph

BEST FOREIGN LANGUAGE FILM

  • Amour (Austria)
  • A Royal Affair (Denmark)
  • The Intouchables (France)
  • Kon-Tiki (Norway/U.K./Denmark)
  • Rust and Bone (France)

BEST SCREENPLAY FOR A MOTION PICTURE

  • Django Unchained (Quentin Tarantino)
  • Argo (Chris Terrio)
  • Lincoln (Tony Kushner)
  • Silver Linings Playbook (David O. Russell)
  • Zero Dark Thirty (Mark Boal)

BEST SCORE FOR A MOTION PICTURE

  • Life of Pi (Mychael Danna)
  • Anna Karenina (Dario Marianelli)
  • Argo (Alexandre Desplat)
  • Cloud Atlas (Tom Tykwer, Johnny Klimek, Reinhold Heil)
  • Lincoln (John Williams)

BEST ORIGINAL SONG

  • “Skyfall” from Skyfall
  • “For You” from Act of Valor
  • “Not Running Anymore” from Stand Up Guys
  • “Safe and Sound” from The Hunger Games
  • “Suddenly” from Les Miserables

BEST TV SERIES (Drama)

  • Homeland
  • Breaking Bad
  • Boardwalk Empire
  • Downton Abbey
  • The Newsroom

BEST TV SERIES (Comedy or Musical)

  • Girls
  • Big Bang Theory
  • Episodes
  • Modern Family
  • Smash

BEST ACTOR IN A DRAMA SERIES

  • Damien Lewis – Homeland
  • Steve Buscemi – Boardwalk Empire
  • Bryan Cranston – Breaking Bad
  • Jeff Daniels – The Newsroom
  • Jon Hamm – Mad Men

BEST ACTRESS IN A DRAMA SERIES

  • Claire Danes – Homeland
  • Connie Britton – Nashville
  • Glenn Close – Damages
  • Michelle Dockery – Downton Abbey
  • Julianna Margulies – The Good Wife

BEST ACTOR IN A COMEDY OR MUSICAL SERIES

  • Don Cheadle – House of Lies
  • Alec Baldwin – 30 Rock
  • Matt LeBlanc – Episodes
  • Louis C.K. – Louie
  • Jim Parsons – The Big Bang Theory

BEST ACTRESS IN A COMEDY OR MUSICAL SERIES

  • Lena Dunham – Girls
  • Zooey Deschanel – New Girl
  • Julia Louis-Dreyfus – Veep
  • Tina Fey – 30 Rock
  • Amy Poehler – Parks and Recreation

BEST MINISERIES OR TV MOVIE

  • Game Change
  • The Girl
  • Hatfields & McCoys
  • The Hour
  • Political Animals

BEST ACTOR IN A MINISERIES OR TV MOVIE

  • Kevin Costner – Hatfields & McCoys
  • Benedict Cumberbatch – Sherlock
  • Woody Harrelson – Game Change
  • Toby Jones – The Girl
  • Clive Owen – Hemingway and Gelhorn

BEST ACTRESS IN A MINISERIES OR TV MOVIE

  • Julianne Moore – Game Change
  • Nicole Kidman – Hemingway and Gelhorn
  • Jessica Lange – American Horror Story: Asylum
  • Sienna Miller – The Girl
  • Sigourney Weaver – Political Animals

BEST SUPPORTING ACTOR IN A SERIES, MINISERIES, OR TV MOVIE

  • Ed Harris – Game Change
  • Max Greenfield – New Girl
  • Danny Huston – Magic City
  • Mandy Patinkin – Homeland
  • Eric Stonestreet – Modern Family

BEST SUPPORTING ACTRESS IN A SERIES, MINISERIES, OR TV MOVIE

  • Maggie Smith – Downton Abbey
  • Hayden Panetierre – Nashville
  • Archie Panjabi – The Good Wife
  • Sarah Paulson – Game Change
  • Sofia Vergara – Modern Family

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Oscar Nominations Offer Some Big Surprises

 

 

This year’s race certainly has proven that it’s got some cards up it’s sleeve as this mornings nominations shook things up, particularly in the directing department. There were snubs and surprises across the board but what else can you expect from the Academy? I’ll be filling you in on where my predictions lay and the percentage I actually managed to predict. Follow along to find out these year’s nominee and who missed out.


Best Picture

  • Amour
  • Argo
  • Beasts of the Southern Wild
  • Django Unchained
  •  Les Misérables
  • Life of Pi 
  • Lincoln
  • Silver Linings Playbook
  • Zero Dark Thirty 

Prediction Percentage: 9/9, 100% (with 10 nominees predicted)

The Shockers: This category was the only one that went pretty much according to plan. I had all nine of these contenders as my picks but also thought that Moonrise Kingdom may have filled that coveted tenth slot. Seems like there was little love for Wes Anderson’s latest though and the Academy went only with nine this year. As far as my predictions, I was looking pretty spot on.

Best Director

 

  • Michael Haneke “Amour”
  • Benh Zeitlin “Beasts of the Southern Wild”
  • Ang Lee “Life of Pi”
  • Steven Spielberg “Lincoln”
  • David O. Russell “Silver Linings Playbook” 

Prediction Percentage: 1/5, 20%  

The Shockers: This one is a doozy. Ask any Oscar pundit and they’ll tell you that this year’s Best Director category was straight out of left field. Now that’s not saying that anyone thinks the nominated directors are unworthy of the title, there were just more high profile directors who have been to have that position locked throughout the year.

The big names missing out are Ben Affleck, for Argo, and Kathryn Bigelow for Zero Dark Thirty, as they both felt like locks going into this morning. Hooper and Tarantino managed to stay on the sidelines as well, which isn’t shocking but most would assume that without Affleck and Bigelow, these boys might have been able to slip through.

My best guess for what went down is too many people assumed clear nominations for Bigelow and Affleck and went with their fringe favorites. It’s all pretty, in a word, shocking.

Best Actor

 

  • Bradley Cooper “Silver Linings Playbook”
  • Daniel Day-Lewis “Lincoln”
  • Hugh Jackman “Les Misérables”
  • Joaquin Phoenix “The Master”
  • Denzel Washington “Flight”

Prediction Percentage: 4/5, 80% 

The Shockers: No big shockers in this category, in fact I said that if anyone was gonna grab that spot away it would have been Phoenix but the wind had seemed to have gone out of The Master‘s hair. Apparently it had not though. Only one missing out here in John Hawkes who plays a paraplegic virgin in The Sessions.

Best Actress

 

  • Jessica Chastain “Zero Dark Thirty”
  • Jennifer Lawrence  “Silver Linings Playbook”
  • Emmanuelle Riva  “Amour”
  • Quvenzhané Wallis “Beasts of the Southern Wild”
  • Naomi Watts  “The Impossible”

Prediction Percentage: 4/5, 80%

The Shockers: Again this category didn’t offer many shockers and I’m not at all surprised that Naomi Watts claimed a spot. This category was always a six woman race and someone had to miss out, unfortunately for Marion Cotillard.

Best Supporting Actor

 

  • Alan Arkin “Argo”
  • Robert De Niro “Silver Linings Playbook”
  • Philip Seymour Hoffman “The Master”
  • Tommy Lee Jones  “Lincoln”
  • Christoph Waltz “Django Unchained”

Prediction Percentage: 4/5, 80%

The Shockers: I’m starting to see a trend with my predictions and while four for five isn’t bad at all, it’d be nice to have the perfect category. I’m slightly surprised to see Waltz nabbing that last spot because most positioning had Leo leading him and with Javier Bardem circling that last slot as well, I thought Waltz had missed out. Very happy to report that he indeed did not, if you remember from my Django review, Waltz’s performance was one of my favorites of the year.

Best Supporting Actress

 

  • Amy Adams “The Master”
  • Sally Field “Lincoln”
  • Anne Hathaway “Les Misérables”
  • Helen Hunt “The Sessions”
  • Jacki Weaver “Silver Linings Playbook”

Prediction Percentage: 4/5, 80%

The Shockers: Again, I went four for five here and the choice of Weaver is a fair one to have missed out on. I had Ann Down “Compliance” for that last slot but was very sketchy on her to say the least. I loved Silver Linings Playbook though so the more nominees it garnishes, the better. 

————————————————————————————————————————–

That’s it for the major categories and my predictions.

For anyone keeping score my total aggregate prediction percentage ends up being: 26/34, 76%
If it weren’t for that kooky directors dodge, it would have look even prettier.

For the technical categories check below. All that I will say about those is Christoph Nolan’s The Dark Knight Rises managed to snag a crisp zero nominations. Now that’s some hardcore backlash. Ouch.

————————————————————————————————————————–

Best Animated Film
“Brave” Mark Andrews and Brenda Chapman
“Frankenweenie” Tim Burton
“ParaNorman” Sam Fell and Chris Butler
“The Pirates! Band of Misfits” Peter Lord
“Wreck-It Ralph” Rich Moore

Achievement in Cinematography
“Anna Karenina” Seamus McGarvey
“Django Unchained” Robert Richardson
“Life of Pi” Claudio Miranda
“Lincoln” Janusz Kaminski
“Skyfall” Roger Deakins

Achievement in Costume Design
“Anna Karenina” Jacqueline Durran
“Les Misérables” Paco Delgado
“Lincoln” Joanna Johnston
“Mirror Mirror” Eiko Ishioka
“Snow White and the Huntsman” Colleen Atwood

Best Documentary
“5 Broken Cameras”
Emad Burnat and Guy Davidi
“The Gatekeepers”
Nominees to be determined
“How to Survive a Plague”
Nominees to be determined
“The Invisible War”
Nominees to be determined
“Searching for Sugar Man”
Nominees to be determined

Best Documentary Short Subject
“Inocente”
Sean Fine and Andrea Nix Fine
“Kings Point”
Sari Gilman and Jedd Wider
“Mondays at Racine”
Cynthia Wade and Robin Honan
“Open Heart”
Kief Davidson and Cori Shepherd Stern
“Redemption”
Jon Alpert and Matthew O’Neill

Achievement in Film Editing
“Argo” William Goldenberg
“Life of Pi” Tim Squyres
“Lincoln” Michael Kahn
“Silver Linings Playbook” Jay Cassidy and Crispin Struthers
“Zero Dark Thirty” Dylan Tichenor and William Goldenberg

Best Foreign Language Film
“Amour” Austria
“Kon-Tiki” Norway
“No” Chile
“A Royal Affair” Denmark
“War Witch” Canada

Achievement in Makeup and Hairstyling
“Hitchcock”
Howard Berger, Peter Montagna and Martin Samuel
“The Hobbit: An Unexpected Journey”
Peter Swords King, Rick Findlater and Tami Lane
“Les Misérables”
Lisa Westcott and Julie Dartnell

Original score
“Anna Karenina” Dario Marianelli
“Argo” Alexandre Desplat
“Life of Pi” Mychael Danna
“Lincoln” John Williams
“Skyfall” Thomas Newman

Original song
“Before My Time” from “Chasing Ice”
Music and Lyric by J. Ralph
“Everybody Needs A Best Friend” from “Ted”
Music by Walter Murphy; Lyric by Seth MacFarlane
“Pi’s Lullaby” from “Life of Pi”
Music by Mychael Danna; Lyric by Bombay Jayashri
“Skyfall” from “Skyfall”
Music and Lyric by Adele Adkins and Paul Epworth
“Suddenly” from “Les Misérables”
Music by Claude-Michel Schönberg; Lyric by Herbert Kretzmer and Alain Boublil

Achievement in Production Design
“Anna Karenina”
Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
“The Hobbit: An Unexpected Journey”
Production Design: Dan Hennah; Set Decoration: Ra Vincent and Simon Bright
“Les Misérables”
Production Design: Eve Stewart; Set Decoration: Anna Lynch-Robinson
“Life of Pi”
Production Design: David Gropman; Set Decoration: Anna Pinnock
“Lincoln”
Production Design: Rick Carter; Set Decoration: Jim Erickson

Best Animated Short Film
“Adam and Dog” Minkyu Lee
“Fresh Guacamole” PES
“Head over Heels” Timothy Reckart and Fodhla Cronin O’Reilly
“Maggie Simpson in “The Longest Daycare”” David Silverman
“Paperman” John Kahrs

Best Live Action Short Film
“Asad” Bryan Buckley and Mino Jarjoura
“Buzkashi Boys” Sam French and Ariel Nasr
“Curfew” Shawn Christensen
“Death of a Shadow (Dood van een Schaduw)” Tom Van Avermaet and Ellen De Waele
“Henry” Yan England

Achievement in Sound Editing
“Argo” Erik Aadahl and Ethan Van der Ryn
“Django Unchained” Wylie Stateman
“Life of Pi” Eugene Gearty and Philip Stockton
“Skyfall” Per Hallberg and Karen Baker Landers
“Zero Dark Thirty” Paul N.J. Ottosson

Achievement in Sound Mixing
“Argo”
John Reitz, Gregg Rudloff and Jose Antonio Garcia
“Les Misérables”
Andy Nelson, Mark Paterson and Simon Hayes
“Life of Pi”
Ron Bartlett, D.M. Hemphill and Drew Kunin
“Lincoln”
Andy Nelson, Gary Rydstrom and Ronald Judkins
“Skyfall”
Scott Millan, Greg P. Russell and Stuart Wilson

Achievement in Visual Effects
“The Hobbit: An Unexpected Journey”
Joe Letteri, Eric Saindon, David Clayton and R. Christopher White
“Life of Pi”
Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott
“Marvel’s The Avengers”
Janek Sirrs, Jeff White, Guy Williams and Dan Sudick
“Prometheus”
Richard Stammers, Trevor Wood, Charley Henley and Martin Hill
“Snow White and the Huntsman”
Cedric Nicolas-Troyan, Philip Brennan, Neil Corbould and Michael Dawson

Adapted Screenplay
“Argo” Screenplay by Chris Terrio
“Beasts of the Southern Wild” Screenplay by Lucy Alibar & Benh Zeitlin
“Life of Pi” Screenplay by David Magee
“Lincoln” Screenplay by Tony Kushner
“Silver Linings Playbook” Screenplay by David O. Russell

Original Screenplay
“Amour” Written by Michael Haneke
“Django Unchained” Written by Quentin Tarantino
“Flight” Written by John Gatins
“Moonrise Kingdom” Written by Wes Anderson & Roman Coppola
“Zero Dark Thirty” Written by Mark Boal

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Oscar Noms Predictions

 

The Oscars aren’t a precise science, they’re more speculation and guesswork- an aggregate of maybes based on a huge number of variables. But they’re fun to mess around with and try your hand at so these are my best bets for who we can expect to be nabbing noms come Thursday morning.

 

 

Best Picture:

 

This year has some strong Oscar contenders, the real name of the game is guessing just how many will make the cut. Since it’s such a diverse year with wins heading all over the place, I went with the maximum 10. Is this a safe bet? No. It’ll probably end up being eight or nine but I guarantee those eight or nine will include these features.

Best Director:

 

  • Steven Spielberg “Lincoln”
  • Kathryn Bigelow”Zero Dark Thirty”
  • Ben Affleck “Argo”
  • Ang Lee “Life of Pi”
  • Quentin Tarantino “Django Unchained”

I feel like it’s a lock for Spielberg, Bigelow and Affleck with Lee, Tarantino, O’Russell and Hooper battling over the last two spots. I’m going to go with Lee because he’s an old favorite amongst the industry and Hooper already won a few years back. I’m going with Tarantino because he deserves it and hopefully the academy recognizes that too. But you can pretty much can guarantee that it goes to O’Russell or Hooper over Tarantino…but I can dream.

Best Actor:

 

  • Daniel Day Lewis “Lincoln”
  • Hugh Jackman “Les Miserables”
  • Bradley Cooper “Silver Linings Playbook”
  • John Hawkes “The Sessions”
  • Denzel Washington”Flight”

I feel like Joaquin Phoenix deserved a position here but it has been a very competitive year for lead actors. If I had my play, I’d swap him out for Hugh Jackman, who I didn’t love in Les Miserables.

Best Actress:

 

  • Jessica Chastain “Zero Dark Thirty”
  • Jennifer Lawerence”Silver Linings Playbook”
  • Marion Cotillard”Rust and Bone”
  • Quvenzhane Wallis “Beasts of the Southern Wild”
  • Emmanuelle Riva “Amour”

These leading ladies all seem like locks but Naomi Watts is a really serious contender as well. If anyone’s going to grab a spot it’ll be her. When it comes to February though the battle is really between Chastain and Lawerence. On a side note, Wallis may just be one of the youngest Oscar contenders of all time at a mere nine years old.

Best Supporting Actor:

 

  • Alan Arkin “Argo”
  • Phillip Seymore Hoffman”The Master”
  • Tommy Lee Jones “Lincoln”
  • Robert De Niro “Silver Linings Playbook”
  • Leonardo DiCaprio “Django Unchained”

We have four locks with Arkin, Hoffman, Jones and De Niro but that fifth slot could go five ways. I’m going to go with DiCaprio even though I would personally give it to Christoph Waltz. Matt McConaughey (“Magic Mike”) and Javier Bardem (“Skyfall”) are sitting in the wings as well for this one.

Best Supporting Actress:

 

  • Anne Hathaway “Les Miserables”
  • Sally Field “Lincoln”
  • Helen Hunt “The Sessions”
  • Amy Adams “The Master”
  • Ann Dowd “Compliance”

This is the field I know the least about but feel the most sure of. Anne Hathaway is going to take it in the end, the only question is who will she be beating out come February? I’m sure Field will be included as will Hunt. Adams is pretty much a lock too leaving me with Ann Dowd from “Compliance,” a film I’ve yet to see but am anticipating. On the outskirts we have Jacki Weaver, Nicole Kidman, Maggie Smith and Samantha Barks.

Bringing our tally for these major award nominations to:

  • Lincoln, 5
  • Silver Linings Playbook, 4
  • Zero Dark Thirty, 3
  • Argo, 3
  • Les Miserables, 3
  • Django Unchained, 3
  • The Sessions, 2
  • Amour, 2
  • Beasts of the Southern Wild, 2
  • Life of Pi, 2
  • The Master, 2
  • Compliance, 1
  • Rust and Bone, 1
  • Flight, 1 

Check it periodically for more updates on the Award season and look for my Oscar predictions come February. 

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