Out in Theaters: ‘HUNT FOR THE WILDERPEOPLE’
Taika Waititi spreads his wings with 'Hunt for the Wilderpeople', a genuinely hilarious and emotionally engaging tale of a naughty foster child and his surrogate uncle who venture off into…
REVIEW
REVIEW
Out in Theaters: ‘SWISS ARMY MAN’
One of the most bizarre and bizarrely beautiful films to grace the Sundance Dramatic Competition in quite some time, 'Swiss Army Man' is not a film to be puzzled out…
REVIEW
Out in Theaters: ‘THE BFG’
Regardless of The BFG’s big-heart, handful of winning performances and across-the-board impressive technical marksmanship, the grueling, threadbare nature of its story marks it as one of Spielberg’s least inspired and…
REVIEW
Out in Theaters: ‘THE LEGEND OF TARZAN’
From the laughable script to the horrible performances, bad computer-generated imagery to asinine action beats, 'The Legend of Tarzan' is a gravely unpleasant big-budget sedative. Without anything of narrative, visual…
LIST
The 25 Best Films of 2016 (So Far)
The year is just about half way through and with three film festivals under the belt, it seems appropriate to recount what have been the best of the year to date. We know there’s six more months of cinema coming down the drain and a lot of late arrivals usually have significant dominion over our...
REVIEW
Out in Theaters: ‘THE NEON DEMON’
Like the hackneyed runway model, 'The Neon Demon' is all external flash, little internal substance. For the most part. Aggravatingly vacuous but undeniably seductive, Nicholas Winding Refn’s hostile takedown of…
INTERVIEW
Talking with Viggo Mortensen and Matt Ross of CAPTAIN FANTASTIC
Viggo Mortensen is one of the greatest actors working today. Of that, I have no doubt. He stormed the screen as Aragorn in Peter Jackson’ epic Lord of the Rings trilogy, lead David Cronenberg’s outstanding crime thriller A History of Violence (which lead to a three-film collaboration between the two) and thinned down to a...
REVIEW
Out in Theaters: ‘FINDING DORY’
CONCLUSION: A Neptunian pathos piece showcasing masterfully slick animation and plenty of good humor, 'Finding Dory' still can’t escape the grasp of ancillary, auxiliary storytelling. And for all its trying,…
FESTIVAL
SIFF ’16 Capsule Review: ‘UNDER THE SHADOW’
With Under the Shadow, Babak Anvari has his finger on the pulse of what we want, and deserve, from an independent horror movie. A potent location in 1980s missile-wary Tehran, a compelling lead in Narges Rashidi who grapples with cultural and professional oppression in addition to her family being haunted, and an actively restrained director...
FESTIVAL
SIFF ’16 Capsule Review: ‘MIDDLE MAN’
Ned Crowley stresses “comedy” in his offbeat desert kill spree comedy of errors Middle Man. A darkly humorous dredge through despair and desperation, Crowley’s film emulates the dark comedy stylings that define greater desert noir the likes of No Country for Old Men with enough tics to call its own to warrant an existence. Parks...