Out in Theaters: ‘BELOW HER MOUTH’
‘Below Her Mouth’ is an epically poor lesbian romance complete with shamefully terrible acting, an embarrassing script and way more than one gratuitous sex scene. Yes, there's a lot of…
REVIEW
INTERVIEW
Talking With Veronica Ferres of ‘SALT AND FIRE’
From the Peruvian rainforest to the Katmai Alaskan Wilderness, the depths of the Chauvet caves of Southern France to McMurdo Station in Antarctica, Werner Herzog is a journeyman who has long questioned man’s relationship with nature. In Salt and Fire, Herzog takes us to Bolivia’s sprawling Salar de Uyuni, the worst’s largest salt flat. A desolate beauty of biblical proportion, here transpires...
REVIEW
Out in Theaters: ‘GHOST IN THE SHELL’
‘Ghost in the Shell’ is all shell, no soul. This vapid, mopey, effects-driven, entirely predictable action-thriller haunts audiences with dazzling special effects, hoping to cover up a substance-bereft narrative that leaves…
REVIEW
Out in Theaters: ‘RAW’
Make no mistake, 'Raw' will prove difficult to swallow for most, what with its unblinking depiction of human-on-human consumption, but those with a stomach of steel will be treated to…
REVIEW
Out in Theaters: ‘LIFE’
Recipe for Daniel Espinosa’s ‘Life’: Steal Alien. Glaze with modern CGI. Lift all signs of horror and tension. Add big marque names. Give them nothing to do. Dose with a heavy-hand…
REVIEW
Out in Theaters: ‘T2 TRAINSPOTTING’
Like a shot of cinema to the main vein, 'T2 Trainspotting' is a lively and thoughtful companion piece to Boyle’s darkly comedic addiction saga. Choose strong performances, choose a rocking playlist,…
INTERVIEW
Talking with Olivier Assayas of ‘PERSONAL SHOPPER’
Man of vision Olivier Assayas is not your average filmmaker. The Parisian director is the kind of filmmaker that makes critics blush, his last feature Clouds of Sils Maria making its way onto a sizable share of Critic Top Ten Lists circa 2014/15. Dedicated to making bold, often female-led poetic musings, Assayas is celebrated for...
FESTIVAL
SXSW ’17 Review: ‘TRAGEDY GIRLS’
Mean Girls meets Scream in Tyler MacIntyre’s trendy satirical midnight horror-comedy Tragedy Girls. Like Heathers for the social media age, MacIntyre’s coming-of-age serial killer misadventure satirizes iPhone-obsessed culture as two popular girls go on a killing spree in order to gain followers, accrue likes and establish a brand. A fucked-up ode to friendship first and foremost,...
INTERVIEW
Talking with Mark Webber of ‘FLESH AND BLOOD’
Fans of the darker side of cinema may recognize Mark Webber from last year’s excellent Green Room where Mark played a Nazi trying (and failing) to defect from a gnarly order of backwoods skinheads but his roots in the film world run deeper than you’d think at first glance. A seasoned actor and filmmaker both,...
FESTIVAL
SXSW ’17 Review: ‘WIN IT ALL’
A more lovable loser there may not be than Jake Johnson’s Eddie Garrett in Win It All. The 18th (!!!) feature from mumblecore originator Joe Swanberg, Win It All is the second “official” collaboration between Swanberg and Johnson, who paired up last year to middling success with Digging for Fire after previously working in a...