Out in Theaters: ‘SPIDER-MAN: HOMECOMING’
‘Spider-Man: Homecoming’ is a fine entry in the MCU, a superior option to any of the last three Spider-Man efforts, but Jon Watts’ vision doesn’t top Sam Raimi’s nor does his…
REVIEW
REVIEW
Out in Theaters: ‘WAR FOR THE PLANET OF THE APES’
A masterclass in blockbuster filmmaking, ‘War for the Planet of the Apes’ is that improbably rare summer movie that forces you to think, feel and interact with it on the…
REVIEW
Out in Theaters: ‘BABY DRIVER’
A splashy one-of-a-kind action musical, Edgar Wright’s ‘Baby Driver’ is a rip-roaring hell of a time where the flash admittedly overshadows the familiar narrative but the style is so unique…
REVIEW
Out in Theaters: ‘TRANSFORMERS: THE LAST KNIGHT’
Enduring ‘Transformers: The Last Knight’ - enduring being the only appropriate way to describe consuming this living migraine - is tantamount to torture. Michael Bay’s fifth Transformers “movie” not only…
INTERVIEW
Talking with Colin Trevorrow of ‘THE BOOK OF HENRY’
The cast and crew of The Book of Henry have lamented its critical spanking but none moreso than director Colin Trevorrow. It’s no easy task to usher a film into the world, much less-so when the day finally arrives and critical voices rally their pitchforks. Though The Book of Henry has its fair share of...
REVIEW
Out in Theaters: ‘THE BOOK OF HENRY’
Colin Trevorrow’s The Book of Henry is a tricksy page-turner, one that clubs you upside the head with eye-popping twists and heartrending turns at the expense of emotional earnestness. Fastidious…
FESTIVAL
SIFF ’17 Capsule Review: ‘PYROMANIAC’
A brightly burning ode to a troubled firestarter who happens to be the son of the fire chief in a small Norwegian village of about 800, Pyromaniac is an unsettling if unfulfilling character study. This mysterious slow-burn is more interested in the human drama than the narrative twists it sets up but fails to satisfyingly reveals...
FESTIVAL
SIFF ’17 Capsule Review: ‘AT THE END OF THE TUNNEL’
Rodrigo Grande’s devilish Argentine caper pits a paraplegic engineer against a malevolent troop of thieves burrowing beneath his house to rob a nearby vault. Nail-biting and pitch black in tenor, At the End of the Tunnel employs star Leonardo Sbaraglia’s dramatic chops to create a complicated protagonist, even if his villainous counterparts are at times...
FESTIVAL
SIFF ’17 Capsule Review: ‘CITY OF GHOSTS’
A stirring tribute to the journalistic heroes of ‘Raqqa is Silently Being Slaughtered’, City of Ghosts takes us into the epicenter of Syria’s ISIS occupation where a troop of citizen journalists seek to expose the true horror tearing their world to pieces. Matthew Heineman’s immersive filmmaking peels back the curtain, crafting a definitive take on one...
FESTIVAL
SIFF ’17 Capsule Review: ‘THE LITTLE HOURS’
A stacked comedic cast aligns for Jeff Baena’s The Little Hours, an unholy send-up of 14th century lust in a small-village monastery. The priest (John C. Reilly) drinks like a fish, while three rebellious nuns (Aubrey Plaza, Alison Brie, Kate Miccucci) flex newfound bad habits when the arrival of a young stud (Dave Franco) spurs...