BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Friday, April 24, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

AUTHOR: <SPAN>MATT OAKES</SPAN>

FESTIVAL
SXSW 2021: Floral Horror ‘GAIA’ a Nightmarish Reckoning with Nature 

SXSW 2021: Floral Horror ‘GAIA’ a Nightmarish Reckoning with Nature 

Eco-horror is having a resurgence of late, as are psilocybin mushrooms as a visual language in film. Jaco Bouwer’s formidable woodland creeper Gaia fits snugly into a recent wave of psychedelic folk horror, a subgenre that binds Ari Aster’s Midsommar, Alex Garland’s Annihilation, Ben Wheatley’s In the Earth (a recent Sundance release that would make...

FESTIVAL
SXSW 2021: Racial Dystopia Roosts in Brazilian Social Thriller ‘EXECUTIVE ORDER’  

SXSW 2021: Racial Dystopia Roosts in Brazilian Social Thriller ‘EXECUTIVE ORDER’  

In present-ish day Brazil, the fight for reparations for citizens of African descent reaches a violent impasse. Lawyer Antônio (Alfred Enouch) wants his government to impose equitable laws to atone for the nation’s past sins, chief amongst them slavery, but the fascistic government opts instead to offer a one-way ticket way “back to Africa” as...

FESTIVAL
SXSW 2021: ‘THE END OF US’ a Pandemic Breakup Movie With Just Enough Heart

SXSW 2021: ‘THE END OF US’ a Pandemic Breakup Movie With Just Enough Heart

Timing is a fickle thing and often means a world of difference. Timing divides those who murder the stock market and those that are steamrolled by it. It’s the difference between perfectly scrambled eggs and inedible burnt yellow mush. And in the case of recently broken-up Nick (Ben Coleman) and Leah (Ali Vingiano), bad timing...

REVIEW
‘RAYA AND THE LAST DRAGON’ Is Disney Dominance on Autopilot 

‘RAYA AND THE LAST DRAGON’ Is Disney Dominance on Autopilot 

Disney Animation Studios one-ups their craftsmanship in the Asian-set adventure 'Raya and the Last Dragon', a beautiful-to-look-at effort that feels decidedly borrowed from establishment narratives. The jokey aspect works less…