Julia Ducournau’s third French body horror 'Alpha' is a concussive portrait of a family strained by the specter of a deadly virus, equal parts formally ambitious and puzzle-box cerebral mania.…
In 2026, Amanda Peet isn’t interested in holding anything back. In her most recent role in Fantasy Life, she plays Diane, a mother of three and working actor navigating a life that, on paper, is fully intact and quite successful, but internally feels much less stable. It’s a performance that resists easy categorization: there’s no...
A deeply cinematic and highly effective adaptation of Andy Weir’s novel, Project Hail Mary is anchored by a strong lead performance from Ryan Gosling and an engaging blend of crowd-pleasing…
Competent but unremarkable, ‘Ready or Not 2: Here I Come’ is a horror-comedy sequel that’s mostly just a forgettable extension of the original’s eat-the-satanic-rich premise, expanding the mythology without recapturing…
'Hoppers' is a delightful return to form for Pixar. This story of animals and humans coming together for the common good delivers laughs, awe, and genuine thematic heft, making it…
John Patton Ford's 'How to Make a Killing' is a stylish, propulsive crime caper about a man murdering his way toward a faster inheritance, but its inability to cut beneath the…
Gore Verbinski’s 'Good Luck, Have Fun, Don’t Die' is an over-the-top action-comedy with an impressive ensemble that taps into modern anxieties about screen time and A.I., delivering sharp satire and…
Not without its issues, Emerald Fennell's over-the-top take on 'Wuthering Heights' makes for a deliciously devious dark romance with alluring lead performances from Margot Robbie and Jacob Elordi. The production…
Sundance 2026 delivered one last cinematic dump (in a good way, like powder on a snow-barren mountain) before packing up and leaving Park City for good. From chilling headphone horror to sex comedies with emotional rot, audacious midnight freakouts to quietly devastating documentaries, this year’s lineup proved that the festival still has what it takes...
Joe and Angela’s relationship is in the dumps. The second Joe returns home from his mediocre job at a middling music conservatory, their bickering begins. Taking shoes off at the door, neglecting to pick up a bottle of wine, forgetting about plans — all seem like ripe opportunities to launch a new feud. Their married-couple’s...