BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Friday, April 24, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

AUTHOR: <SPAN>MATT OAKES</SPAN>

FESTIVAL
Sundance ‘24: ‘A REAL PAIN’  Interrogates The Overlap Between Individual and Family Trauma

Sundance ‘24: ‘A REAL PAIN’ Interrogates The Overlap Between Individual and Family Trauma

Kieran Culkin shines in Jesse Eisenberg’s tender sophomore feature A Real Pain. A poignant meditation on loss, grief, and family history that’s part autobiographical and entirely heartfelt, Eisenberg has seemingly found his groove as a creator interested in melding melancholic human stories with relationship-driven good humor. “Anything that I’ve written that’s good is very personal,”...

FESTIVAL
Sundance ‘24: Buzzy and Mind-Bending ‘IT’S WHAT’S INSIDE’ Pulls Off a Terrific Magic Trick

Sundance ‘24: Buzzy and Mind-Bending ‘IT’S WHAT’S INSIDE’ Pulls Off a Terrific Magic Trick

Eight former college friends reunite the evening before their friend’s wedding to play a heady game with far-reaching consequences. Such is the set-up for Greg Jardin’s utterly transfixing debut feature, a precisely-constructed explosion of creativity that smashes together the college reunion comedy, puzzle box thrillers, and a Shane Carruth-esque level of science-fiction precision. Skillfully paced...

FESTIVAL
Sundance ‘24: Tortured ‘I SAW THE TV GLOW’ Reaches Through the Screen 

Sundance ‘24: Tortured ‘I SAW THE TV GLOW’ Reaches Through the Screen 

Jane Schoenbrun’s audacious followup to their attention-grabbing debut We’re All Going to the World’s Fair is billed as a horror feature but it takes careful time developing said horror. And delivers a wallop. A quietly remarkable film, and one that spurred a handful of walkouts during its Sundance premiere, I Saw The TV Glow is...

FESTIVAL
Sundance ‘24: ‘FREAKY TALES’ A Disjointed Tapestry of Stories, Ideas, and Tones, with Nazis

Sundance ‘24: ‘FREAKY TALES’ A Disjointed Tapestry of Stories, Ideas, and Tones, with Nazis

Ryan Fleck and Anna Boden’s Freaky Tales, a madcap 1987 Oakland-set anthology, is a lot. Told in four loosely threaded together chapters, this interconnected story of the intersection of corruption, subculture, and violence in Reagan-era west coast America bites off more than it can chew, becoming more of an implosive collision than a meaningful exploration...

FESTIVAL
Sundance ’24: ‘HOW TO HAVE SEX’ and the Obliteration of Carefree Youth

Sundance ’24: ‘HOW TO HAVE SEX’ and the Obliteration of Carefree Youth

When three British teenage friends, Tara (Mia McKenna-Bruce), Skye (Lara Peake) and Em (Enva Lewis), abscond for a weekend holiday of hard partying, thumping clubs, and fast sex, they find that their freewheeling existence is more fragile than imagined. Tara, or “Taz” when she’s in full party animal mode, is the rowdy, raunchy heart and...

REVIEW
Shallow, Campy ‘NIGHT SWIM’ Mostly Treads Water

Shallow, Campy ‘NIGHT SWIM’ Mostly Treads Water

Though Bryce McGuire’s horror debut sinks a bit more than it swims, strong performances from Wyatt Russell and Kerry Condon almost keep this domestic haunted pool movie afloat. 'Night Swim'…

LIST
The Ten Best Performances of 2023

The Ten Best Performances of 2023

It has already begun: the long march towards coronating a new quartet of actors whose performances are deemed the finest of 2023. And while the Oscars, Globes, and flurry of other guild awards tend to recognize the same handful of actors over and over again, here at Silver Screen Riot, we have our own version...

LIST
The Ten Best Movies of 2023

The Ten Best Movies of 2023

End-of-year lists are a rite of passage, a time to select the best of the best from all we’ve seen. And then anguish over what we’ve chosen. Like its small-screen counterparts, 2023 proved to be an unusual year in film. Countless delays due to widespread industry strikes shifted many potential blockbusters to 2024 and beyond,...