Out in Theaters: REVERSAL
It’s not that Tina Ivlev is terrible so much as her scenes seem rushed and “first take”. Richard Tyson gets out a hair better, but similarly fails to overcome the…
REVIEW
REVIEW
Out in Theaters: THE STRONGEST MAN
An emotionally resonant win for faux-cinéma vérité (with a surprise cameo from nerd prince Freddie Wong), The Strongest Man becomes occasionally untacked by amateur bits of visual collage work, the…
REVIEW
Out in Theaters: ADVANTAGEOUS
The appearance of Ken Jeong on the cast list comes as a major red flag though he ends up the least to blame for the frequent failures of Advantageous. The…
REVIEW
Out in Theaters: THE OVERNIGHT
The final result is both articulate and insightful, an uncommonly honest look at adult sexuality and the bargaining chips that married couples exchange. It's also f*cking hilarious. Working from a…
INTERVIEW
Talking with Patrick Brice of THE OVERNIGHT, CREEP
Going into 2014’s SXSW, Patrick Brice was an unknown entity, opening the door for the horror knockout that was Creep. With Mark Duplass and an HD camera, Brice made one of the year’s best horror films with little to no dollar bills. All the more impressive is his follow-up, the hilarious and heartfelt The Overnight....
INTERVIEW
Talking With Pete Docter, Jonas Rivera of INSIDE OUT
For years, Pixar implied the highest standard in animation. A fifteen year run that spanned from Toy Story to Toy Story 3 included such classics as Monsters, Inc., Finding Nemo, The Incredibles, Up, Wall-E, Ratatoiulle. For most studios, that amount of #winning would be tantamount to a lifetime of work. And though Pixar’s latest efforts...
REVIEW
Out in Theaters: INSIDE OUT
A last act reunion once again turned my face soggy, leaving me all the more inclined to stick through the (increasingly hysterical) mid-credits stinger that dives into the inner-workings of…
INTERVIEW
Talking with Michael Winterbottom of THE FACE OF AN ANGEL
Michael Winterbottom has been making films since 1990 but it wasn’t until 2010’s The Trip that international audiences pivoted their heads towards his product. Sure, 2007’s A Mighty Heart marked a turning point for Angelina Jolie‘s career – with Winterbottom’s somewhat acclaimed film demanding the actress be taken more seriously than her resume of late...
REVIEW
Out in Theaters: ME AND EARL AND THE DYING GIRL
That being said, Gomez-Rejon's commingling of cutesy and downbeat pensive drama makes for a rich emotional experience and one capable of bedazzling in least expected places. The players are all…
INTERVIEW
Talking with Alfonso Gómez Rejón of ME & EARL & THE DYING GIRL
Six months ago, Alfonso Gómez Rejón‘s stock was of Jordan Belfort’s penny list variety. He himself had to push it on people. And that’s exactly how he landed a gig directing the Sundance-winning, indie-record-breaking, standing-ovation-inducing Me & Earl & The Dying Girl [our review here]. Says Rejón, “I had to fight for the job…. It...