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Out in Theaters: ‘SPECTRE’

Before 2006, it might have seemed unreasonable to list a slew of gripes and grievances over the convenient scripting and utter ridiculousness of a Bond movie. This is a character who’s faced invisible cars, bagpipe flamethrowers, underwater jet-packs, cigarette rocket darts, deadly hats, and nigh unkillable nemeses. He once even fought a giant on the moon. Historically, Bond is an over-the-top super agent less grounded in reality than the WWE (emphasis on the word ‘historically’). But upon taking up the mantle in 2006, Daniel Craig has ushered in a new era of Bond; a super-serious, no-BS generation of the beloved super spy, 007. Craig’s a Bond more comfortable with a kill than a quip; an alcoholic outsider with rage issues, and yet someone who legitimately grapples with his license to kill. His Bond has been called gritty and callous, and for good reason. He’s been equal parts savior and butcher, still reeling years after the death of Vesper Lynd (Eva Green) and regularly drinking himself into moody reticence. This modern Bond is more character than caricature; a believable emblem of super-spy badass whose cloth more closely resembles Bourne than Batman. It should come as a major disappointment then that Spectre, the 24th onscreen iteration of the infamous British agent, is a monumental slip backwards into a 00-Stone-Age of yesteryear’s lackluster Bond. Read More

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Bond Returns in Style for SPECTRE Trailer

Sam Mendes turned heads with 2012’s Skyfall, crafting a new fan favorite while resetting the clock on some of 007’s most iconic characters. After experiencing some production drama under the auspices of  Sony’s indelicate hand – reportedly going over-budget and taking a cut from the Mexican film commission to shoot the film’s iconic opening set piece – Spectre looks to take the man in the tux back to his roots, pitting him against the shadow organization SPECTRE. This is the first time since 1971’s Diamonds are Forever that SPECTRE has played a part in the film’s plotting. Read More