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Sporadically Gruesome ‘BRIGHTBURN’ Could Burn More Brightly

Man of Steel meets We Need to Talk About Kevin in Brightburn, the James Gunn-produced “What if Superman bad?” movie that’s had folks buzzing since its mysterious announcement last year. Gunn, who cut his teeth in the Troma movie scene – a disruptive production company infamous for splatter and farce-fueled horror movies like Poultrygeist: Night of the Chicken Dead and The Toxic Avenger – before becoming a big shot with The Guardians of the Galaxy series, has his gore-tastic fingerprints scattered throughout Brightburn, though the superhero script-flipper’s signature touch is decisively missing, Brightburn lacking the mark of a seasoned filmmaker with keen editorial prowess, a knack for subjective horror, and Gunn’s dark, cruel wit. Read More

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Out in Theaters: ‘GUARDIANS OF THE GALAXY VOL. 2’

Like the US government, the big whigs at Marvel have a sordid history of interventionism. Professed “creative differences” drove visionary Edgar Wright from Ant-Man, ran Patty Jenkins off Thor: The Dark World and kept Ava DuVernay at bay from Black Panther. The films in the MCU are larger than any standalone film; they must click and connect in complicated corporate webs, webs that have given us material such as the infamous Thor in a sauna scene in the widely forgotten Avengers: Age of Ultron. Which makes Guardians of the Galaxy Vol. 2, a film written and directed by one man, James Gunn, such a wildly fresh breathe of air.
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