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‘PROFILE’ or: How Not to Be a Journalist 

It’s a natural reaction to wonder how anyone could possibly be so stupid whenever you read a headline about young Western women seduced by ISIS recruiters. To throw everything away to, quite literally, get in bed with known terrorists is a path so head-scratching – an idea so objectively poor – that it literally escapes the realm of comprehension. And yet, countless such stories exist. Women who knowingly smuggled themselves into Syria and the not-so-warm embrace of the Islamic State, where a murderous patriarchal theocracy awaits their sacrifice, exist in the thousands. Their stories, sadly, usually end the same: attempts to escape, sexual enslavement, or being stoned to death. And though journalistic queries about the 5 W’s loom large, the who, where, what, and how of their recruitment fade beneath the pressing issue of why. Why would any woman choose this? Why would any woman subject themselves to the will of patriarchal terrorists? Read More

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Out in Theaters: ‘BEN-HUR’

Before he was ever accosted by apes, Charlton Heston galloped to Oscar gold for his performance as a Jewish prince turned slave in the 1959 historical epic Ben-Hur. The film was the most expensive of its time and yielded great financial and critical success to the tune of 11 Academy Award wins and label of second-highest grossing movie to date. It was a remake.

Many fail to acknowledge that their celebrated Ben-Hur is not in fact the first of its ilk. Rather, it’s a “remake” of a not-so-proliferated 1925 silent film, which was in turn a “remake” of a 15-minute film fiasco from 1907. But all this “remake” business seems a big hogwashy once we peel back some layers. I mean seriously is 2016’s Ben-Hur really to be thought of as a remake of a remake or a remake? Remake has become an ugly and ubiquitous term, one that depending on the circumstance can be thrown with the bathwater if we merely interpret the phrase. After all, how does one delineate “remake” from “adaptation”, particularly when we are discussing films that have been adopted from novels? Read More