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Out in Theaters: ‘SPECTRE’

Before 2006, it might have seemed unreasonable to list a slew of gripes and grievances over the convenient scripting and utter ridiculousness of a Bond movie. This is a character who’s faced invisible cars, bagpipe flamethrowers, underwater jet-packs, cigarette rocket darts, deadly hats, and nigh unkillable nemeses. He once even fought a giant on the moon. Historically, Bond is an over-the-top super agent less grounded in reality than the WWE (emphasis on the word ‘historically’). But upon taking up the mantle in 2006, Daniel Craig has ushered in a new era of Bond; a super-serious, no-BS generation of the beloved super spy, 007. Craig’s a Bond more comfortable with a kill than a quip; an alcoholic outsider with rage issues, and yet someone who legitimately grapples with his license to kill. His Bond has been called gritty and callous, and for good reason. He’s been equal parts savior and butcher, still reeling years after the death of Vesper Lynd (Eva Green) and regularly drinking himself into moody reticence. This modern Bond is more character than caricature; a believable emblem of super-spy badass whose cloth more closely resembles Bourne than Batman. It should come as a major disappointment then that Spectre, the 24th onscreen iteration of the infamous British agent, is a monumental slip backwards into a 00-Stone-Age of yesteryear’s lackluster Bond. Read More

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Out in Theaters: ‘BRIDGE OF SPIES’

Now this is confident filmmaking. But what else would you expect from the accomplished pairing of artful overlord Steven Spielberg and American everyman maestro Tom Hanks? Bridge of Spies is in its very essence a showcase of Spielberg’s directorial prowess; it neatly highlights the auteur’s ability to shape the mundane into the magical, of his expert craftsmanship behind the camera, of his articulate (if not subtle) storytelling capabilities. It is at its very core a reminder of why Spielberg has become a harbinger of prestige pictures and why Hanks will never be replaced. It is, without a doubt, an excellent film. Ladies and gentlemen, we’re looking at our first assured best picture nomination lock. Read More