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Pixar’s Existential ‘SOUL’ Sparks Curiosity, Purpose 

As life-affirming and unabashedly profound as it is cerebrally curious and gorgeously animated, Pete Docter’s Soul is yet another Pixar masterwork. Easily the best output from the once-flawless studio since 2015’s Inside Out (also directed by Docter), Soul also ranks amongst Pixar’s best work to date, putting it in league with Toy Story 3, Ratatouille, Up, and Wall-E. Since their acquisition by Disney, Pixar has placed an increased focus on franchising, churning out decent-enough sequels but letting the once limitless creativity that once defined them fall by the wayside. As sequels began to dominate their slate, that spark of creativity dimmed. Though he hadn’t changed, that little Pixar light had a little less bounce in him. Expectations of grandeur lowered in sync. With Inside Out, Pixar nouveau reasserted themselves as a house of bold choices that played to the adults in the audience just as much as the children and Soul affirms this direction with its every fiber.  Read More

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Pixar’s First ‘SOUL’ Trailer Asks What You Want to be Known For

Pixar took a big risk with Pete Docter’s Inside Out, a movie that explored how human emotions worked. Portraying our outlook on life as an effect of little creatures like Fear, Joy, Anger, and Disgust operating control panels somewhere in the human brain, the conceptual animated feature didn’t feel reigned in by tradition or normal narrative boundaries. Soul looks to follow in the bold footsteps of Inside Out, dealing within the metaphysical in a similar way to Inside Out and from this first peak, looks to be asking similarly bold questions about human existence.

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Out in Theaters: INSIDE OUT

It’s been five long years and three mediocre products since Pixar unleashed the beloved Toy Story 3, and years of bated breathe have contribution to the hot anticipation of their first original effort since 2012’s problematic Brave. The titanic mummer of Pixar’s throbbing heartbeat has  been notably muted and palpably chunky over the last half-decade – the result of Disney dollars hierarchized above lush originality and narrative fervor. But with Inside Out, the Docter is in. Stethoscopes have been administered, a double bypass has been performed, the blockage has been loosened. In one fell blow, Pete Docter has served up a whopping Pixar masterpiece and restored the animation studio’s name to its former glory. All hail the king. All hail the Docter.

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