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Out in Theaters: ‘BAYWATCH’

What to say about Baywatch, the new movie from Paramount and Horrible Bosses director Seth Gordon, that can’t simply be assumed? R-rated by virtue of scatalogical humor – penii, both of the flaccid and majorly erect variety, crowd the screen; jaws dangle, gawking at flopping mammaries;  – and frivolous vulgarities, Baywatch fails to insert much conviction into its raunch and lacks even more in the originality department.  Read More

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Out in Theaters: ‘ALIEN: COVENANT’

One thing’s for certain, Alien: Covenant is a Prometheus sequel. Ridley Scott doubles down on the 2012 prequel’s cerebral but ultimately sloppy storytelling, reveling in yet another cast of characters who make stupid decision after stupid decision in a misguided attempt to hoist ideology above character. In essence a film about discovering meaning, Prometheus failed to define its own, collapsing under the weight of its admirable ambition by throwing too much at the screen and having too little stick. By the end of that venture, everything remained a bit of a head-scratcher but Scott, for what it’s worth, attempts to make up for such here in Alien: Covenant. For its faults, Covenant brings the message of this deeply intertwined prequel series into focus here and its irreverent thesis is far darker than we might have anticipated: creation is nasty business. Our makers can be monsters. Gods and Devils are one and the same. Read More

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Out in Theaters: ‘KING ARTHUR: LEGEND OF THE SWORD’

King Arthur: Legend of the Sword starts with elephants the size of castles and ends with snakes the size of rivers and there isn’t much sandwiched in between that’s any less ridiculous. A monochromatic mess replete with sketchy, video game-esque CGI and an often out of focus, mangled 3D conversion, Guy Ritchie’s bonkers fantasy film ditches the legend of the sword in the stone of yore for something that feels equally indebted to Heavy Metal and Shadow of Mordor cut scenes Read More

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Out in Theaters: ‘ANOTHER EVIL’

Anyone who ever found themselves wishing for a cross section between The Cable Guy and The Exorcism, rejoice in thy ancient cursed tongues. Carson D. Mell’s supernaturally awkward brom-dram is a conjoined twin of ghost tale hula-hoops and male acquaintanceship hoopla. A batty genre-defying lark to its close, Another Evil deals with the clumsy delicacies of fledgling friendships weighed against the silly absurdities of cloven hoofs and blessed needles. Read More

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Out in Theaters: ‘BELOW HER MOUTH’

Inept romantic drama Below Her Mouth is awesomely bad. This next level cinematic scourge is a perfect confluence of ineptitude, a wholly pitiful effort defined by horrendous acting, terrible scripting and amateur direction that inspires any captive audience member to gawk in horror at its epic multitude of failures. In more ways than one, Below Her Mouth, which contains a whopping seven fully nude sex scenes in its first hour, finds pace with classic movie dumpster fire The Room in that it’s undeniably awful and yet you can’t look away from the cinematic implosion onscreen.   Read More

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Out in Theaters: ‘GHOST IN THE SHELL’

Controversy has plagued Ghost in the Shell since the day Hollywood “It” girl Scarlett Johansson was cast in the pole position. Adapted from a serialized Japanese manga of the same name, Ghost in the Shell tells the story of Major, a Japanese cybernetic counter-terrorist agent. Before anyone starts yelling “Whitewashing!”, it’s easy enough to see the problem lurking. Even those without a ton of processing power may be thinking to themselves, “Hey, but Scarlett Johansson isn’t Japanese…what gives?” Indeed, what gives? Johansson being the most bankable actress in the world, teeing her up to lead an effects driven potential franchise starter makes perfect sense. From a financial perspective, the move is logical. But… Read More

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Out in Theaters: ‘RAW’

I suppose it’s fair to say Raw is not for everyone. Turns out a lot of the general populace don’t like subtitled French movies. Much less ones where humans gleefully feast on each another’s flesh. But let me tell you, Raw is every bit the toothy show-stopper that I wanted it to be. And much funnier. A familial politics drama smuggled inside a coming-of-age cannibal story, the feature debut from writer/director Julia Docournau tells the story of vegetarian veterinary student turned budding people-eater Justine (Garance Marillier) and is served up with all the fixin’s. To say I loved it would be an understatement.      Read More

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Out in Theaters: ‘LIFE’

Life is deja vu. Not life itself mind you – let’s say that debate for the existentialist philosophers – but Life, the hacky, trashy alien thriller from director Daniel Espinosa. From a distance, the trailers for the film suggested a film that borrowed heavily from Ridley Scott’s treasured Alien but we’re all smart enough to know that trailers are just marketing tools, often constructed to stimulate nostalgia nodules to sell a product to audiences. So imagine my shock when Life was quite literally nothing less than a watered-down, unimaginative, worthless thieving of one of my favorite films of all time. Seriously, how in the actual fuck is this happening? Let’s examine. Read More

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Out in Theaters: ‘T2 TRAINSPOTTING’

Eternally a stylist, Danny Boyle returns to the primordial ooze that made Danny Boyle Danny Boyle with T2 Trainspotting, a self-reflective reality check of a sequel, one that dwells on past wrongs and potential paths forward, undercut with themes of addiction and redemption. Boyle’s penchant for flash won’t go unnoticed, with the very grain of the film busting with an artist’s eye. Strung out in the kind of manic urban setting that Boyle has mastered over the years, T2 is a somber meditation on regret fused with an upbeat saga of reconciliation, all told with Boyle’s vibrant knack for blaring soundtracks, an escapist kinetic energy and daring visuals. Boyle’s first sequel doesn’t always work, frequent callbacks land with various success, but when T2 is on point, his dizzily dosage of electrifying cinema can be quite inebriating and an unexpected shot to the heart.   Read More

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SXSW ’17 Review: ‘THE LIGHT OF THE MOON’

The Light of the Moon is an ambiguous enough film title. Jessica M. Thompson’s movie ostensibly could be a werewolf coming-of-age independent film. A non-canonical sequel to Moonlight. Even a bone-headed YouTube short about community college bros flashing their buns to one another. It’s none of those things, thankfully. Instead, The Light of the Moon, while a whole lot better than any of the above pitches, will catch you equally off guard. Read More