There’s so many tattered sleeves of other (greater) crime films sifting in and out of John Hillcoat’s Triple 9 that the final product plays a bit like a voodoo pincushion of greatest hits moments. There’s buttons of Heat, The Departed, American Gangster and many other crime classics, with characters seemingly beamed in from Bad Lieutenant, Sicario and End of Watch, all come to rumble in Hillcoat’s dirty little Atlanta playground. That this stable of influences is mostly able to coalesce into a largely exciting, ceaselessly dark and somewhat intelligible thriller is admirable, even if it sometimes finds itself a touch off the rails. Read More