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High-Schooler’s Slow-Motion Self Destruction Vividly Captured in ‘WAVES’ 

Waves is a film in two parts, at once as connected and severed as a man following a trip to the guillotine. In a sense, it’s almost a story and sequel in one package. One whose first and second parts have alternating sets of lead characters, battling tonality, and wildly diverse cinematography, though its hip-hop-saturated musical through-line binds its saga together as does the overbearing sense of cause and effect that ripples throughout the Williams family’s lives. Waves moving outwards and growing in intensity, born of the smallest pebble dropped in the pond, grow to towering surf, stretched over devastating undertow.  Read More

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Shia LaBeouf Excises Demons In Emotionally Raw ‘HONEY BOY’

Everyone seems to have an opinion about Shia LaBeouf, the child-star turned Transformers/Crystal Skull actor turned Hollywood bad boy. But regardless of what you think you think, anyone who checks out Honey Boy, a revealing and emotionally turbulent tell-all written by and starring LaBeouf, will come out wanting to reach through the screen and deliver a big Shia hug.  Read More

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‘BEN IS BACK’ A Troubling Two-Hander You Should Never Trust 

Ben is Back, the father-son collaboration between writer-director Peter Hedges and actor son Lucas Hedges, plays out like a paperback page-turner with an inevitable conclusion. That the elder Hedges mostly succeeds in obscuring the histories of these characters and therefore where their paths will ultimately lead is a proverbial feather in his cap, the strongly-acted drama slinking suspiciously in narrative shadows in its earlier parts, leaving a trail of breadcrumbs that we intrinsically know lead nowhere good. As Hedge’s script unspools the mystery behind Ben and his being back, the thriller-tinged drama loses a touch of its suspect pull, relying strictly on emboldened performances to see the journey through. The experience is far from pleasant.  Read More

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Out in Theaters: ‘THREE BILLBOARDS OUTSIDE EBBING, MISSOURI’ 

There are many words you can’t say on a billboard but in Martin McDonagh’s darkly comic and borderline brilliant Three Billboards Outside Ebbing, Missouri calling out the local sheriff for failing to bring to justice a rapist, arsonist and murderer is fair game. At least from a legal standpoint. This is the set-up for a crime saga unlike any other, McDonagh’s film a foul-mouthed mystery brimming with colorful characters, its jet-black tone and surprising emotionality capable of causing fits of laughter and bouts of urgent somberness in what is one of the best films of 2017. Read More

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Out in Theaters: ‘LADY BIRD’ 

Indie darling Greta Gerwig breathes life into directorial “debut” (she co-directed Nights and Weekends in 2008) Lady Bird with passion and pathos. Gerwig’s strong freshman feature strikes a balance between the mumblecore sensibilities of frequent collaborators Joe Swanberg and Noah Baumbach while bringing a refreshingly anarchical female voice into the choir. Lady Bird as a character and film manages both tenderness and lawlessness; caught in the confuddling mix of teenage hormones and perceived oppressive parenting; rebelling against the grain, oft to her own detriment; Gerwig’s capable filmmaking expertly capturing that claustrophobic  feeling of teenage angst and insurgency; Saorsie Ronan performing the hell out of the role.  Read More

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Out in Theaters: ‘MANCHESTER BY THE SEA’

After debuting on Saturday night, Manchester by the Sea quickly became the buzziest film at Sundance. When Amazon made an unprecedented $10 million dollar deal to sweep up distributing rights, the echo chamber only got louder. On the one hand, writer/director Kenneth Lonergan must welcome the fat paycheck with open arms. And yet, such a lofty price tag sets a certain sky-high expectation for the film before its even had a chance to digest in anyone’s tummies or see the light of day for most viewers. All finances aside, Manchester by the Sea is a emotionally resonant tearjerker/masterful character study with Casey Affleck stepping up to the plate to claim some majorly overdue attention. Read More

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Sundance ’16 Review: ‘MANCHESTER BY THE SEA’

After debuting on Saturday night, Manchester by the Sea quickly became the buzziest film at Sundance. When Amazon made an unprecedented $10 million dollar deal to sweep up distributing rights, the echo chamber only got louder. On the one hand, writer/director Kenneth Lonergan must welcome the fat paycheck with open arms. And yet, such a lofty price tag sets a certain sky-high expectation for the film before its even had a chance to digest in anyone’s tummies or see the light of day for most viewers. All finances aside, Manchester by the Sea is a emotionally resonant tearjerker/masterful character study with Casey Affleck stepping up to the plate to claim some majorly overdue attention. Read More