post

Out in Theaters: ‘A WRINKLE IN TIME’

Ava DuVernay’s well-intentioned adaptation of Madeleine L’Engle’s popular children’s book of the same name is a tenaciously tedious, psychedelically sloppy slog. Championing a well-meaning message of the bonds of family and acceptance of oneself, the actual movie is a mind-numbing flurry of exposition vomit, hurried character development and drag-show pizzaz. DuVernay’s tale of a brother and sister hunting their lost father (Chris Pine) throughout the galaxy is constantly on the go, relying on bright pops of color and shimmery CGI to cover up the gaping plot holes developed courtesy of its neck-break pace. Characters explain the plot ad nauseum, using in-house lingo sure to leave many skeptical eyes a’rollin’, as the story whirls from one underdeveloped thread to another at light-speed pace. At once too dark for the younger crowd and too childish for true blue teenagers, A Wrinkle in Time really only appeals to the tween ADHD crowd who likes their stories delivered fast and loose and colorful beyond belief. 
Read More

post

Out in Theaters: ‘PAN’

Were one to take both Pan and Oz: The Great and Powerful as case studies of skillful directors attempting to adapt iconic source material, they would be forced to reason that this just ain’t a venture worth taking. The same exact sentiment can be said of Pan the film. Joe Wright (Hanna, Pride and Prejudice), working from a Jason Fuchs (Ice Age: Continental Drift) script, has drained the prestige from his presence in attempting to tell a for-all-ages tale of the flying boy with a sentient shadow who never ages. Rather, he delivers a schizophrenic, incredibly frustrating family-friendly adventure with staggering highs and lows. Had Pan just been bad – rather than offering the odd moments of true clarity and borderline brilliance – the inevitable disappointment wouldn’t sting quite as much. As it, it’s a monstrous failure with absolutely out-of-place moments of undeniable inspiration.   Read More