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Sundance 2021: Clifton Collins Jr.’s Work As a ‘JOCKEY’ is Backbreaking but Soul-Affirming

Every rider has a laundry list of injuries: cracked ribs, broken collar bones, shattered hips, busted noses. Riding on a professional circuit comes with no shortage of physical, social, and spiritual wear and tear and Jackson (Clifton Collins Jr.) is already well into his sunset years in Clint Bentley’s spirited but gentle horse drama Jockey.  Read More

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Out in Theaters: ‘TRANSPECOS’

Like a lens flare cast from No Country For Old Men or an arresting never-before-seen side plot from Breaking Bad, Transpecos sets us on the belt buckle region of the Mexican-American border. In a diminutive shanty of a migra outpost – in essence, a tollbooth and boom barrier – three glorified crossing guards witness hell break loose when a cartel scheme goes belly up. Greg Kwedar’s daring debut is part sun-scotched moral meditation, part adrenaline-fueled character thriller, handsomely brought to life with crisp, concise storytelling and effective, affecting performances that casts a meaningful glance at border politics and the wolves that lie in wait. Read More

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Talking with Greg Kwedar of ‘TRANSPECOS’

First-time writer and director Greg Kwedar describes the six-year process of creating Transpecos like a proud, but deservingly exhausted, father. The Texas-set border thriller is as much character study as it is a certifiable nail-biter; a politically-minded meditation with a throbbing pace and tightrope tension. Kwedar’s preternatural ability to blend high drama with explosive pressure cooking won him and his film the Audience Award for Narrative Competition at this year’s SXSW Film Festival and, arguably more importantly, near universal praise. Read More

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SXSW ’16 Review: ‘TRANSPECOS’

Like a lens flare cast from No Country For Old Men or an arresting never-before-seen side plot from Breaking Bad, Transpecos sets us on the belt buckle region of the Mexican-American border. In a diminutive shanty of a migra outpost – in essence, a tollbooth and boom barrier – three glorified crossing guards witness hell break loose when a cartel scheme goes belly up. Greg Kwedar’s daring debut is part sun-scotched moral meditation, part adrenaline-fueled character thriller, handsomely brought to life with crisp, concise storytelling and effective, affecting performances that casts a meaningful glance at border politics and the wolves that lie in wait. Read More