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‘STAR WARS: THE RISE OF SKYWALKER’ Blindly Resurrects the Past To Finish The Saga

If the central tenet of Rian Johnson’s The Last Jedi was to kill the past to make way for the future, The Rise of Skywalker is all about bringing the dead back to life. After the divisive middle entry to this new Disney-helmed trilogy, The Force Awakens director J.J. Abrams was tasked with the Herculean feat of pleasing both the fans and detractors of The Last Jedi and with The Rise of Skywalker decides to just lean into resurrecting and regurgitating the past as much as possible, much like he did his first time out. The most obvious example of this comes in the form of our old pal Sheev, the Senator-turned-Supreme-Chancellor-turned-Emperor, whose appearance was teased to fans from the very first trailer, and his handling is a microcosm of the film’s issues writ large.  Read More

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Out in Theaters: ‘BATMAN V SUPERMAN: DAWN OF JUSTICE’

Overlong and under-focused, Batman v Superman: Dawn of Justice is a deceptively dark furlough into the blackest corner of DC’s batcave where men battle gods, Wonder Woman finally gets the spotlight (guitar solo and all), Jesse Eisenberg puts on an entertainingly manic Lex Luthor face, and none of it feels like much fun. As expected, the heavy-handed fog that is 155 minutes of super-porn allows itself splashes of clear-eyed splendor, most notably those that center around Ben Affleck’s positively boiling Batman, but Batman v Superman hardly has the desired ratio of grandeur to gratuity to do the battle of the century it’s pitched as justice. Read More