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SXSW ’17 Review: ‘TRAGEDY GIRLS’

Mean Girls meets Scream in Tyler MacIntyre’s trendy satirical midnight horror-comedy Tragedy Girls. Like Heathers for the social media age, MacIntyre’s coming-of-age serial killer misadventure satirizes iPhone-obsessed culture as two popular girls go on a killing spree in order to gain followers, accrue likes and establish a brand. A fucked-up ode to friendship first and foremost, Tragedy Girls’ kill-happy mentality is demented no doubt but the relationship at its center sincerely (and gruesomely) cuts to the core of high school woes and the trials of BFF-dom. Not to mention, it’s bloody good fun.
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Out in Theaters: ‘DEADPOOL’

Deadpool has been lurking around the primordial soup of supers since his debut print appearance in February of 1991. Striking a nerve with comic fans fancying some bite with their bark and some rabies to their Cujos, Deadpool arrived on the scene a supervillian before slipping into the moral grays of anti-hero-dom and donning those infamously R-rated wisecracks into his persona like a latex-tight getup. By the time he was leading his own franchise, a cultly rabid surrounded the merc with a mouth like bush flies buzzing around fresh-squeezed dookie. When transported to tinsel town in 2009’s much derided X-Men Origins: Wolverine, Deadpool found himself properly trounced; literally nutless, drained of personality and wit, with mouth rendered useless. The character was as effectively brain-dead as the project he found himself housed within. The tongue-tied, tatted-up war boy that was Deadpool circa 2009 was quickly relegated to the bin of supers who couldn’t withstand the transition to the silver screen and even the suits at Fox did all they could to forget this whole X-Men Origins thing ever happened in the first place.       Read More