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Quite simply: yes. We’re not even mid-way into July and we’ve already seen the meteoric rise of many masterclass takes on the summer tentpole. With the nearly perfect Dawn of the Planet of the Apes, the breathtaking X-Men: Days of Future Past, Tom Cruise‘s thrilling sci-fi actioner Edge of Tomorrow, Phil Lord and Chris Miller‘s hysterical 22 Jump Street, Dreamwork’s stunning and heart-breaking animated follow-up How to Train Your Dragon 2 and Gareth Edward‘s crazily awesome Godzilla, the season’s blockbusters have been just that: blockbusters.

We’re not even half way into the season and we’ve got more certifiable showstoppers than ever before. And we’re not just talking superhero movies, a facet that has made 2014 stand out even more. We’re talking a wide array of films with varying perspectives and takes on what is great about a summer blockbuster. They’ve topped the charts and for good reason: they’re quite simply good movies on a bigger scale, and we’ve only yet mentioned the hundred million dollar ones.

On the indie side, we’ve seen Bong Joon-ho‘s wildly unconventional Snowpiercer, David Michod’s deeply unsettling The Rover and Jim Mickle‘s unpredictable Cold in July, each made in the traditional of big screen excellence but seen by a smaller, more niche audience and using with a smaller change purse to make it happen. But even this independent cinema has unleashed a pantheon of unforgettable big screen debuts this summer season, each in the tradition of the summer tentpole.

And when we do add superhero movies into the mix, even the overrated Captain America: The Winter Soldier was solid as was The Amazing Spider-Man 2 (a vast improvement over the original). Plus we haven’t even gotten to Guardians of the Galaxy that’ll debut the beginning of August and has the potential to be a breakout hit.

And sure the vastly inferior Transformers: Age of Extinction and Maleficent may have shown them all up in the box office ring but we have to take into account that old habits die slow. People take time to learn what’s good for them. The aforementioned blockbusters are Filet Mignon, it just so happens that people are used to eating hamburger. But so long as we continue to praise these movies and show up to buy tickets for them, things may just continue to trend in a positive direction. I’m no box office guru but I know that at the theater, your money is your voice. Make sure that you’re speaking up for the ones that matter.

Taking into account this fact, just compare with me the quality of 2014 Summer’s blockbuster to recent summer seasons past and you’ll see just how easily it eclipses anything from the past few years. Last year held the decent to middling to just plain bad; Iron Man 3, Fast and Furious 6, Man of Steel, R.I.P.D., Star Trek into Darkness, Pacific Rim, The Heat, The Hangover 3, After Earth, White House Down, The Lone Ranger, Red 2. Sure I purposely left some of 2014 lesser films out of my analysis for the sake of making my argument but look at how many clunkers we have above. Just one after another.

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Blow for blow, 2014 trumps 2013 at every turn. And though 2012 had Dark Knight Rises, Avengers and the like-it-or-hate-it Prometheus, it was also filled with crud like The Amazing Spider-Man, The Expendables 2, Snow White and the Huntsman, Total Recall, Battleship and Abraham Lincoln: Vampire Hunter. Save for one or two exceptions (nearly all from the superhero camp), it was once again a summer left in the wash.

2011 had more Transformers, another unwanted Pirates of the Caribbean movie, Cars 2, the water-dump Green Lantern, the brutally bad The Hangover: Part 2as well as the truly awesome Mission Impossible 4, the conclusive Harry Potter installment, the blink-and-you’ll-miss-it Cowboys and Aliens and the very solid Fast Five. It also introduced us to Thor and Captain America but it still doesn’t compare to 2014 in terms of originality and vision. Superhero movies and sequels do tend to dominate these summer months but you’re gonna have to spend your hard-earned dollar on things like Edge of Tomorrow if you want to see the summer movie zeitgeist head in a positive direction. It means you taking a risk, or at least reading critical response to movies and knowing what you’re getting into. The good stuff is out there, you just have to be able to not be seduced by the golden arches every time round.

What I’m trying to say is: in terms of the big picture, 2014 is the year of the summer blockbuster puttering back to life and don’t let the big box office performance of Trans4mers or Maleficent tell you otherwise. If you’re still amongst the naysayers calling 2014 a bad year for movies, remove your head from your ass and actually head to the theater. I could recommend ten movies playing right this second that would simply wow you (just take a look at top tier of the 131 2014 films I’ve reviewed so far this year for proof of that). Summer 2014 really has been a showstopper and one that you probably oughta stop talking smack about. But with less and less people going to the movies, the onus is those who do care about the future of cinema to step up and gently herd the box office in the right direction. Spend your money wisely, unless you’re content seeing Transformers 29: Attack of the Robot Nazi Ninjas.

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